Email: rachelkramerbussel at gmail.com



 

Lusty Lady

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Saturday, July 08, 2017

Weekend surprise: Best Women's Erotica of the Year, Volume 1 is only $1.99

I was casually browsing my books on Amazon this morning, as one does, and saw that Best Women's Erotica of the Year, Volume 1, is on sale for $1.99 in ebook form. You can get it at the sale price for Kindle as well as Nook, Google Play, iBooks and Kobo. I think this sale runs through Sunday, July 16 but I'm not totally sure so if you want to get it for sure, snap it up this weekend!

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Sometimes I get advance notice about ebook sales and sometimes I don't, but if you want to always stay in the loop about when my books are marked down, follow me on Bookbub (they send an email alert when the book is officially on sale, but sometimes the sale price posts early).

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Anyway, I'm thrilled because from the time the series started, I've been a reader so getting asked to edit it remains a career high and a giant honor. Having the first in the series I edited go on sale means I get to reach even more readers and, hopefully, sell more books. Right now I'm planning readings for Volume 3 (stay tuned for an announcement of the first one around Valentine's Day) and reading story submissions for Volume 4 (the deadline is November 1, 2017). I'll be sharing more about how this series has changed the way I approach anthology editing and, I'd like to think, made me a better editor, and it's definitely connected me to an amazing network of authors from around the world.

Not sure you want to read the book? Listen to four free stories narrated by the BWE of the Year 1 audiobook narrator Rose Caraway, including my own bisexual open marriage travel erotica story "Flying Solo."

And here's the book's official blurb:
Best Women's Erotica of the Year, Volume 1, edited by award-winning author and editor Rachel Kramer Bussel, delivers risky, romantic, heart-pounding thrills. Featuring a diverse range of characters, sexualities and scenarios, these 22 steamy stories revel in erotic adventure, from the sparks between strangers to the knowing caresses of longtime lovers. Women learn "The Ropes," get "Starstruck" and dine with "Two Doms for Dinner." Penned by beloved authors such as L. Marie Adeline and Tiffany Reisz along with newcomers to the genre, these sexy encounters will give you plenty of fantasy fodder to last all year long.
And here's what reviewers have said:

"Edited for the first time by frequent anthology contributor and erotica veteran Bussel, this annual volume features short stories from a number of notable genre names, including L. Marie Adeline ("S.E.C.R.E.T." trilogy) and Tiffany Reisz ("The Original Sinners" series). Bussel makes a point in the introduction to emphasize that all 21 selections were chosen for their strong depictions of nuanced, intelligent female characters with whom readers should identify, offering erotica that titillates while it "respects your mind." The book lives up to that promise, opening with Tara Betts's poetic "A New Canvas," in which friends Angela and Troy redraw the lines of their relationship using their bodies for their canvas. With plenty of creative scenarios, styles, and positions, this impressive anthology is sure to be a hit among quality erotica fans."
- Library Journal

"This is a great collection of short stories, and if you've never read erotica before, it's the perfect place to start. There's a wide variety in the types of stories and kinks that are in this collection, so it's a great way to figure out what you like." - Bustle

"This anthology of 22 short, sexy stories is the perfect starter pack for erotica newbies and seasoned readers alike. There are pairings of all sorts between these pages. Among my favorites: Flying Solo by Rachel Kramer Bussel, who writes about a particularly hot open marriage, and The Altar of Lamented Toys, a poignant and bittersweet dystopian tale by Jessica Taylor. A bonus: because these stories are so short, they are perfect for reading aloud to your partner in bed." -Popsugar

"There's no bad writing here. It's all good--and a surprising percentage of it is also very good, understatedly original, quietly trenchant, colorfully curious, probing, poignant, powerful, from Valerie Anderson's Demimonde--an engagingly superb evocation of debauchery and kink in buttoned-up late-19th-century New York, to A New Canvas by Tara Betts and Drawn by Nic by Heidi Champa, both breathing in their cool inspirations from the gritty world of contemporary street artists. Jade A. Waters' Ophelia the Second takes readers into the mind and heart of an infatuated understudy, while Starstruck by Lazuli Jones takes a similarly delightful journey into the mad-rushing thoughts of a fortysomething fan-girl at last meeting the object of her hottest teenaged fantasies--one hero, it turns out, who does not have feet--or anything else--of clay!" - Erotica for the Big Brain

"I think Rachel did a phenomenal job compiling together all of these stories. Each one is great as astand alone and yet, all of them work well in this book. The other great thingwith a book like this is that you can find a little of everything for everyone. From loving couples who enjoy trying to spice their relationship up with a"date" night, to a leadership building excursion that turns hot and kinky, you are bound to find at least one (though I assume it will be more) story to enjoy." - The Writer's Inkwell

"The stories themselves vary widely. Some are hard, fast, well-written sex from start to finish. Some are a slow dance, and the sex (or at least sexual activity) are almost a footnote in the closing paragraphs. Want sweet romance? It's in there. Hardcore sex? Sure. BDSM? Yep. Vanilla? You betcha. The characters themselves are no less diverse. Singles on a hot night out, couples adding spice, groups, mono couples, couples in open relationships, renegade artists, hipsters, escorts, office professionals, theatre actors, cis/hetero people, LGBT folks, doms and subs, childhood crushes come to life." - A Roll in the Hay

"A collection of stories that not only seeks to turn you on, but also strives to make you think: about gender, about power, about age and sexuality, and about all the different ways that a diverse collection of women can and do get their sexy on. A definite bedside keeper!" - Romance Novels for Feminists

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Monday, August 15, 2016

Hear me read from Best Women's Erotica of the Year, Volume 1 Friday night on podcast Sex Out Loud

This Friday night, August 19th from 8 pm ET to 9 pm ET (that's 5 pm PT to 6 pm PT), I'll be on the podcast Sex Out Loud hosted by the wonderful author, sex educator and anal sex expert (among her many other esteemed titles) Tristan Taormino, reading from Best Women's Erotica of the Year, Volume 1 along with contributors Tara Betts ("A New Canvas"), Lazuli Jones ("Starstruck"), Rose Caraway ("The Carnalarium") and Amy Butcher ("Waiting to Pee"). In other words, we'll be reading about travel sex, painting and sex, sex at Comic-Con, polyamorous sex in a unique location and a very unique form of clandestine sex with a trans man in Dolores Park, as well as answering questions about our writing. I got to read with Rose, who also narrated the audiobook, and Amy at a live event in January, and Tara at one in May, but have yet to speak with Lazuli myself, so I'm really looking forward to hearing her read from her very hot story, which you can get a sneak peek of over at Ravishly.

Listen at sexoutloudradio.com and follow @SexOutLoudRadio on Twitter for updates. You'll also be able to listen afterwards. And a reminder: the deadline to submit original fiction to Best Women's Erotica of the Year, Volume 3 is December 1st, 2016.

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Wednesday, July 27, 2016

My pride and joy, Best Women's Erotica of the Year, Volume 1, is only $1.99 through July 31

In case you didn't know, editing the Best Women's Erotica of the Year series for Cleis Press feels like the grand prize for everything I've been doing in the erotica genre since I started writing in 1999, something I couldn't have envisioned back then (and not just because the first volume wasn't published until 2000). As I'm finalizing every last detail of Volume 2 for a big December launch and accepting submissions for Volume 3, I'm even more honored and aware of my mission with this series: to publish as many authors from around the world, especially writers I've never worked with before, as I can. So to do that, I'm going all out to get these books out into the world, in print, ebook and audiobook form. So stay tuned because I am planning readings and events and will be reaching out to bookstores and making postcards and attending conferences and generally spreading the word. Want to help? Follow the series on Twitter, Facebook, Tumblr and Instagram and share our news!

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Buy it from:

Kindle

Nook

Google Play

iBooks

Kobo

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Monday, July 11, 2016

Listen to my bisexual open marriage travel erotica story "Flying Solo" on new podcast episode

I love working with Rose Caraway, author, editor, audiobook narrator and host of The Kiss Me Quick's podcast because she is super talented, has an incredibly sexy voice and best of all, from my perspective as an anthology editor, makes the stories in my books available to anyone who wants to listen to them for free! That's what she's done with my story "Flying Solo" (click on the story title and scroll to the bottom to listen; press the arrow to the left of "libsyn" to start)) from Best Women's Erotica of the Year, Volume 1, which stars a woman who usually picks up partners with her husband when they travel, but in this case is about to board a plane alone (hence the title) and has been instructed to bed someone she meets by her hubby. You'll have to listen to find out what happens next. And you can hear all 22 stories from the book ready by Rose on the Audible audiobook. Also, I couldn't be more thrilled with the hot graphic they came up with (catch the fun wordplay on the airplane; "Stupidfish" is their production company) that so perfectly captures the spirit of my story.

Flying Solo

For more free erotica from the book, listen to these stories read by Rose:

"The Carnalarium" by Rose Caraway

"Two Doms for Dinner" by Dorothy Freed

"Ophelia the Second" by Jade A. Waters

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Friday, June 24, 2016

Why I love editing the Best Women's Erotica of the Year series

I'm in the midst of working on three volumes of the Best Women's Erotica of the Year series at once, promoting Volume 1, which is out in print, ebook and audiobook, finalizing the table of contents for Volume 2, which will be published in December, and doing some early promotions and brainstorming, and spreading the word as wide and far as I can about the call for submissions for Volume 3 so I can meet my goal if receiving 500 submissions.

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It's a lot to juggle, especially with two part-time jobs that combine to make a six-day-a-week full-time job, but I'm happy to do it because I'm incredibly honored to be at the helm of the series. For me, editing a series is different than editing a one-off title, because I know that each book does not stand alone. They stand as sequels to all the ones that came before them (in this case, starting with Best Women's Erotica edited by Marcy Sheiner in 2000 through Best Women's Erotica 2015 edited by Violet Blue, before the series changed to using volume numbers and I became editor).

As I'm editing, I also envision the same readers reading all of the volumes I'm editing, and I keep that in mind when I'm selecting stories. I try not to repeat scenarios or pick anything too similar to what's come before; I think of it as wanting the stories to echo and complement each other, to speak to each other but not duplicate. So one thing I'd love to see in Volume 3 is another outstanding pop culture reference erotica story, similar to what Lazuli Jones did with "Starstruck" in Volume 1, but outside the comics/superhero world. I also have subjects that for whatever reason, didn't yield many submissions for Volume 2, so I am definitely on the hunt for the perfect trans woman erotica story or stories for Volume 3, and some stories about older female characters. I know I may not get everything on my wish list into every given volume, and I don't know for sure that I will get to edit more, but that's why I'm putting my heart and soul into promotions, so that I can hopefully keep on editing the series for a long time to come. That being said, it's fiction, and part of the beauty of any writing is that everyone will approach it with their own ideas and experiences and angles, what writer Todd Henry calls your authentic voice.

It also helps me on a personal level when I have to do my least favorite task, sending rejection letters. I just sent out over 200 rejection letters for Volume 2, and that is such a hellish experience it deserves its own post. Suffice it to say, it makes me feel like a terrible person and never want to go through the process again, but what gets me through it every time is knowing that I will most likely have new anthologies on the horizon and a rejection today might mean an acceptance on another story next year, or the next or the next.

This mindset helps me get through sending rejections but on a more positive note, it also helps me conceptualize what I want my role to be as editor. I am taking a more pro-active approach to Volume 3, reaching out to groups and websites and authors I think might appreciate the call, and doing my best to spread the word while there's still 5+ months left before the deadline. I'm not against one-off anthologies, but I feel extra excited about the possibilities for the series, and maybe even doing some joint readings from multiple volumes, if I'm lucky.

To conclude, if you know anyone who might be eligible and interested in submitting their erotic fiction to Best Women's Erotica of the Year, Volume 2, please pass along the writing guidelines to them. If you want to help me get a head start in spreading the word about the amazingness that will be Volume 2, please add it to your Goodreads want to read list.

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Friday, June 10, 2016

Free BDSM erotica inspired by real life: "Two Doms for Dinner" from Best Women's Erotica of the Year, Volume 1

I love being able to offer free stories to you, especially from the book that's my pride and joy and highlight of my career, Best Women's Erotica of the Year, Volume 1.

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Podcaster and audiobook narrator Rose Caraway has recorded the inspired-by-real-life-kink story "Two Doms for Dinner" by Dorothy Freed and it's gorgeous. Listen for yourself.

Also check out Rose's interview with Dorothy and for more free sexy stories, listen to Rose's "The Carnalarium" and read my open marriage travel sex story, "Flying Solo.". And of course, listen to all 22 stories in the book read by the perfect voice for the job, Rose Caraway, in the Audible audiobook.

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Friday, May 13, 2016

BEA book signing today and flash giveaway of 5 copies of Best Women's Erotica of the Year, Volume 1 ends tonight!

Two quick things: I'm off to Book Expo America (BEA) at McCormick Place in Chicago and if you'll be there, come get a signed copy of Best Women's Erotica of the Year, Volume 1 from 2:30-3 pm in the autographing area, Table 9.

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I'll be Instagramming my favorite book finds too (rachelkramerbussel) because for me, BEA is really about being surrounded by fellow book lovers, absorbing all the new books and excitement over books and exulting in stuffing my tote bags full of gifts for myself and others. It's a wonderful celebration and place to learn about this industry and I intend to take full advantage of it.

If you can't make it (or even if you can!), I'm doing a giveaway of 5 copies of Best Women's Erotica of the Year on my Facebook page (open to all, your choice of print, ebook or audiobook). Ends tonight at 11:59 pm EST so enter fast!

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And bonus news: the wonderful Rose Caraway, my very favorite narrator, who narrated the audiobook and contributed to it, has shared her hot, wild story "The Carnalarium" on her podcast The Kiss Me Quick's. Listen and enjoy!

Carnalarium

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Monday, May 09, 2016

Do you like free books? Sign up for my newsletter and visit my Facebook page on Friday (plus a BEA giveaway)

I'm getting ready to head to Chicago later this week to attend Book Expo America (BEA), where on Friday at 2:30 I'll be signing free copies of my favorite of all my anthologies, Best Women's Erotica of the Year, Volume 1 at Table 9 in the autographing area.

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BEA is a book publishing industry event so most likely, if you're not an author, editor, publisher, librarian or press, you won't be there, but that doesn't mean I don't have free books for you too! If you aren't already a subscriber to my newsletter, get on that ASAP (at the left-hand side of my Lusty Lady blog or at rachelkramerbussel.com) so you can enter to win a signed copy of Dirty Dates in my next newsletter giveaway exclusive, coming this week. And so that nobody feels left out of the Best Women's Erotica love, on Friday, May 13th I'll be posting a flash giveaway on my Facebook page, so stay tuned for that - you'll have to act fast to win!

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I want you to write your book and get all the readers you can, especially if you hated my new book

Writers are often told not to read our reviews, but for me, I do read my reviews on sites like Goodreads and Amazon. I may use those collectively to guide me as sI edit future anthologies, or simply to know, because knowledge is indeed power (so if you loved or hated an aspect of Best Women's Erotica or there's something you want to see in future editions, I'm all ears!). I actively want to know what turns readers off as much as what turns readers on, because I appreciate every single person who's so much as picked up and read the back cover of one of my books, and certainly am honored when anyone takes the time to truly engage with the stories and give feedback.

I appreciate the opportunity to get a feel for what readers are thinking, what they liked, what they didn't. But sometimes, a review really tells us nothing of the sort. Such as this recent one, which reads, "I will write my own book. This was poorly written and extremely boring."

It's actually not the latter part that I take issue with, although of course I fully believe the 22 stories in Best Women's Erotica of the Year, Volume 1, which I consider my best work as an editor and the high point of my 16-year erotica career, has excellent writing and fully realized plots and characters. But I can't argue with someone's opinion; they didn't like it, that's cool. But the part where they wrote "I will write my own book" seems to imply that that's antithetical to this book and my job, and the truth is, it's not.

One of the reasons I love erotica so much is that there's room for everyone. Obviously not in one given anthology, or necessarily with any one publisher, but as a genre, it's an incredibly welcoming one. You don't need any degrees or experience or writing credits. You need a good imagination, creativity and stamina. You need to go deep into the heart of what makes a person tick (not just what turns them on), and spin a story that will make readers keep flipping pages, even if the subject is something they wouldn't normally care about. Some of my favorite pieces of erotica I fell for precisely because they covered sexual acts that squicked me in real life, but the writing was so good, I didn't care.

Ultimately, who I answer to are my readers, and I know that I cannot please everyone with every selection. That's never what I'm trying to do when I edit an anthology. I'm trying to capture something special about sex and storytelling and weave it together with many other special somethings to craft a book that delivers a punch, to have stories that collectively give a glimpse into, in this case, women's sexuality. Not the glimpse or the grand summary or every possibility; that would be way beyond anything one book like this is capable of.

On a broader level, the work I've been doing the last few years is precisely about encouraging writers, many of whom have never written erotica or considered it, to push themselves beyond the boundaries they think they're capable of and write, write, write. As I prepare for my final LitReactor online erotica writing class of 2016, I'm thinking about all the students I've taught before, many of whom keep me posted on what they're up to. Some them are self-publishing their debut novels. Others have successfully submitted stories begun in class and are published with independent publishers in anthologies like Order Up: A Menu of Lesbian Romance and Erotica and Sex & Sorcery 2.

Most of all, what I see from those who have kept at it, is that they're writing. They aren't sitting back and taking rejections to heart, or giving up, but they are writing stories and books and pursuing their interests, wherever that may lead. I am a fan of this genre first, before any particular anthology I may be editing at any given moment. If I stop editing anthologies tomorrow, I will still be a huge fan and reader of the genre, and supporter of those making their way as published authors for the first time.

To give you a little perspective: with most of my anthologies, I only have room to publish about 10% of the stories that are submitted. So that figure alone should tell you that even brilliant, exquisite, amazing stories by the very numbers game that is publishing and word counts will get rejected at some point. It's part of life, and part of writing. I have no illusion that my version of "best" is truly "better" than someone else's, but one thing I've learned, by trial and error and plenty of self-doubt and failure along the way, is that all I can ever do is my best. When I try to be someone else's version of "best," I always get myself in trouble. When I assume whoever has hired me for any job wants someone else's talents, or I tell myself I'm a worthless hack and shouldn't have gotten the gig, which has happened both in the past and far more recently, I always falter because it's an impossible expectation to be someone else and do what they would have done. I can't promise that. I can only deliver what I know how to deliver, and when I focus on that job, I do pretty well. When I strive to please some mythical version of perfectionism where I lull myself into thinking everyone will love everything I do, I may as will give up before I've even started.

So in a way, it's actually fabulous for me that someone thinks my new book is "poorly written" and boring because it shows that we all have different tastes and opinions, as we should. If that opinion spurs that reader on to further her own career, I consider that a win for the creative world too. It may not be personally pleasant for me, but it's perhaps a backhanded compliment that I am happy to accept, because I want my books to inspire people to write, whatever their opinion about the content. I was a failing law student when I wrote my first erotica story; I had no clue what I was doing, but I did it anyway. If my little books can be that catalyst for someone, that's awesome.

All that to say, I love erotica for its endless possibilities, for all the new writers flocking to it every day and all the ones who've been doing it for longer than I've been alive. I hope everyone who's ever read anything, be it a book, magazine, newspaper, blog post (ahem) and thought, I could write something better than this stops reading immediately and busts out their pen and paper or computer and gets to writing their story.

It's every bit a work in progress, but I launched eroticawriting101.com because I want to help those who face hurdles, internal or external, to doing exactly that, get over those hurdles, get writing and, if they so desire, get their writing in front of readers. If that's your goal, don't let anyone else's book or words or your own fears stop you. That's what I'm all about, that's what we'll be exploring in my LitReactor class starting next week, and that's what I've been thinking about ever since I read that review, the one I'm supposed to be stoic and pretend I didn't see. But I did; I'm human, and that's another thing I refuse to apologize for. Whatever you like to do with words: writing, reading, speaking, I hope you do it with gusto!

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Tuesday, April 19, 2016

Asking a favor about the book I'm most proud of and giving you a free open marriage erotica story as my thanks

TL: DR, I'm shamelessly asking you to review my latest book and giving you my free open marriage erotica story below as my way of saying thanks. Read on if you want to find out why I'm asking.

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I am shifting a lot of things in my life, and over the past few years, have downsized the number of anthologies I edit per year. I'd rather put out one or two that are amazing and as brilliant as I can possibly make them (which, of course, is not entirely or even largely my doing, but the doing of the authors who are willing to submit their work to me) than the six to eight I used to a few years ago, which meant that I barely had time to focus on one before I was moving on to the next.

In the case of what I consider my editorial crowning achievement, Best Women's Erotica of the Year, Volume 1, I also feel I can best devote myself to getting the word out, on Instagram, Twitter, Facebook and Tumblr and wherever else I happen to be, online or off, if I take the time to truly focus on what I'm doing promotion-wise, whether that means visiting every bookstore I can get to that I know has the book, Tweeting about the others, or securing an audiobook deal with my favorite narrator.

Will it be "enough?" Will it sell as many copies as I'd like it to? Will I feel like all this was worth it? Time shall tell. For now, I am keeping my fingers crossed and, while also going about my regular writing gigs, really trying to reach as many potential readers as I can. No matter what the total tally is, I want to know that I gave it my heart and soul, because this book in particular deserves that.

One way to help reach those readers who will never read my blog because they've never heard of me is through Amazon reviews (yes, I know Amazon isn't the only bookselling game in town, but they are a major one). Why are they important? I'll let Tall Poppy Writers explain in visual form (although I personally think that "I liked it" or "I didn't like it" without giving a reason why really doesn't make for a good review, even if it "counts" according to this, but I will share more on that later):

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Amazon's algorithms are notoriously secret, so I don't know if every detail here is correct. But I can tell you that my books with the most Amazon reviews, The Big Book of Orgasms and Gotta Have It, have been among the ones that sold the best. I don't know for sure, but I don't think it's a coincidence.

Right now I don't have any contracts for more anthologies beyond the ones already slated to come out, including Best Women's Erotica of the Year, Volume 2, which I'm reading very sexy stories for this month. My dream would be to get to keep on editing the series for a good long time, maybe a decade, long enough to publish hundreds of authors in it (I'm publishing new authors in each volume). No clue if that is even remotely in the realm of possibility, but that's my dream (dream part two: the series does phenomenally well so I can afford to bump up author payment from $100 to $200).

Whether it comes true or not largely comes down to how this first one does. Reviews don't guarantee sales, but they certainly help get the book in front of readers might like, say, some of the authors in the book, like Tiffany Reisz and L. Marie Adeline, and might think, This looks like something I'm willing to take a chance on. So if you want to do me a short favor to help me further that dream, I'd love it if you'd take a minute (okay, it might take two or three minutes but doesn't require more than that) to leave a review on Amazon. You can share which stories is your favorite. You can share what you liked or didn't like about the book. (You can read lots of free excerpts linked at bweoftheyear.com). My goal is to get to 50 reviews, and as of this posting, I'm 9 away.

Whether you post a review or not, I thank you for reading. As a little reward for getting through my musings, I'm giving you the entirety of my story in the book, "Flying Solo," about a couple in an open marriage where a woman is encouraged to seduce another person on a solo trip, to read. If you like it, don't comment here: let Amazon and Goodreads know.

Flying Solo
by Rachel Kramer Bussel from Best Women's Erotica of the Year, Volume 1

I’ve made sure my camera has plenty of battery left for this trip, because you’re not here to watch me. I wish you were, but life sometimes keeps us apart. You didn’t ask me to, but I want to send you photos of me naked, turned on, wet for you. Even though you’re not talking up a storm as you usually are when we travel, I feel you with me as I pass through security, and especially as I head to the gate and start casually, quietly, discreetly looking around, the way we did on our honeymoon. Has it really been four years? They’ve flown by.

I’ll never forget sitting with you and hearing you whisper, “Find someone to take back to our hotel room with us.” You didn’t specify if it should be a man or a woman, and although I’d never considered it before, the idea of being pressed between you and another man made me so excited I almost spilled the medium coffee I’d just purchased. You took it from my hand and blew through the small opening in the plastic top for me, raising your eyebrows. I giggled, then started looking. I reached for your hand for support; you squeezed it but then let me go. I fiddled with my wedding ring, twisting around the new gold band over and over, afraid I looked like a kid in a candy store. You’d whispered to me again. “I’m just so madly in love with you, and I think this should be a new tradition; when we travel, we find someone to join us. Just for fun, no strings attached.” I’d spent the entire time before we boarded perusing every adult sitting around us, mentally undressing them, wondering who had piercings or tattoos, who was kinky, who was the best kisser. I pictured the tall man in a suit, speaking rapidly in Spanish on the phone, with his cock in your mouth. I pictured the short, curvy redhead with her head buried between my legs while you entered her from behind.

“Well?” you’d asked, as they started to board the plane.

“I can’t decide. And I certainly can’t go up to any of these people. What am I going to say? ‘I just got married and my husband wants to have a threesome?’” Yet even saying those unspeakable words made me wet, made my mind and heart race. I’d told you that I was bisexual after our third date, wanting to make sure you wouldn’t have that awful, frat-boy, “That’s hot!” reaction that even most seemingly sophisticated men busted out once I revealed I went both ways. You just nodded and let me tell you all about Simone, the gorgeous woman with the smoky voice and beautiful, curvy body I’d most recently bedded.

I’d fallen in love with you in part because you let me tell you anything, and in turn revealed some of your fantasies. We’d tried out many of them—bondage, strap-ons, hot wax. We’d talked about threesomes and orgies but in a fantasy way, until that trip. For whatever reason, you’d never mentioned wanting to be with another man, but I liked learning new things about you just when I thought I knew it all. “Let’s wait until we’re on the plane,” I’d said, and lucky me: my dream girl, the one whose face I kept returning to, was sitting next to me on the plane. You’d pretended to sleep while I made small talk with her, all the while working up the courage to say what I most wanted to. As it turned out, she’d been the one to whisper in my ear, “I wish I could be alone with you for an hour. I want to kiss you all over.”

I’d stared right back at her, barely hearing the screaming infant behind us, or the blaring music from the woman’s headphones in front of us. I just saw her, Katia, her ripe, naturally pink lips, her jet-black hair, the tiny diamond glinting from her lightly freckled nose. When I reached up and traced her lips, you’d stirred, gently knocking my knee with yours. “You can. Well, not alone, exactly. I’m with him,” I’d whispered, getting close enough to make sure my lips grazed her earlobe. “It’s our honeymoon, but he wants me to bring someone home for us to share.”

“I’m good at sharing,” she’d whispered back, and she’d proven exactly how good once we were settled into our suite. Fresh from a hot shower we’d shared, our kisses making me tingle all over, Katia had gotten you and me on our backs and eased her mouth from one to the other until I was absolutely dripping wet, desperate for more. “You get on top of him,” she’d instructed, in the sweetest, silkiest voice possible. It was an order, but a gentle one. If I’d had a better plan I’m sure she’d have gone along with it, but there was nothing I wanted more than your cock inside me, my body primed from her hot, hungry tongue. She eased you inside me and just as I moaned and thought I might come right then and there, her tongue was back, lapping between the cheeks she held open with those soft, delicate hands. Her tongue pressed against my rosebud, making me groan.

“She’s licking me,” I’d whispered frantically before burying my face in your neck. She worked me into a frenzy, one that your hard, driving cock only made more frantic. When Katia’s fingers reached around me to circle my clit, I came, trembling against both of you, then biting your neck when her fingers didn’t stop dancing against my hard bud. She raised her head, only to nip at the soft flesh of my ass while she coaxed another climax from me. But it wasn’t until she lifted me off of you, pressed three fingers deep inside me, then eased them out and put them in your mouth that I really lost it. The look of sheer ecstasy on your face had me slamming down on top of you, fucking you harder than I ever had. You looked right at me while you sucked her fingers, and I came for the third time, something I’d also never done.

“Can I taste him?” she’d asked, and no sooner were the words out of her mouth than I was climbing off of you, wrapping my hand around the base of your cock, and feeding it to her. She didn’t swallow the whole thing greedily like I would have. Instead, Katia was like a cat with a bowl of milk, her tongue slowly licking up the cream at the tip, one long stroke at a time. I’d never seen a woman give a blow job up close like that, and I didn’t even think about what I did next, I just leaned forward and joined her, my tongue on one side of the ridged crown, hers on the other. Soon we were taking turns putting the head in our mouths, but I let her do the honors when you started to buck your hips up and down. I was too blissed out to give you the proper care and devotion you deserved, but Katia certainly wasn’t. I saw her saliva glinting off the length of your shaft as she rose all the way up, opened those beautiful brown eyes to stare at me, then, keeping her gaze locked on mine, moved all the way down. When I reached out to stroke her hair, you grabbed my hand and we both put just a little pressure on her head, enough to make her moan. Soon you were fucking her face—there’s no other way to describe it. She was grunting like an animal and you were lost in the feel of her mouth.

If someone had told me I’d spend the first night of my honeymoon watching another woman giving my husband head—and liking it—a few years before, or even a few weeks before, I’d have thought they were crazy. But in the moment, it was the hottest thing ever. There was no separation between us; we were all connected by our desire, our yearning to give and get pleasure all at the same time. When you came, I could tell instantly, even though Katia expertly sucked down every drop. “I think you should let Katia sit on your face,” you told me. Oh my goodness. Of course. I lay back and soon she was on top of me, not writhing wildly, but slowly pressing herself against my mouth, enveloping my senses with her perfume. You got between my legs and ate me while I ate her, and even though your tongue distracted me from what I was doing, nobody minded. Eventually her languid movements weren’t enough for me, and I pulled her tight against me, loving how wet she was getting, loving it even more when she came. She repeated her clit stroking as you kept your mouth on me, so I got to experience a fourth orgasm that knocked me out. Katia was gone by the time I woke up, but what she left us with was an insatiable sense of sexual adventure.

Since then we’ve bedded men, women and couples—only while traveling, never back home. Today will be a first, though, and I not only don’t want to let you down, I’m curious what it’ll be like. Though I’ve had more partners than most of my married friends, when I’m with you, it always feels like married sex, no matter how many people are in the room. This time, it’s just me, and I have to imagine you watching, you whispering to me, you encouraging me. I still get nervous, as you well know, but I’ve loved every single one of our encounters, both in the moment, and how they spur us on later when we’re alone.

I text you a quick hello along with a photo of me, and just as I’m finished sending it, I see a man watching me. His head is shaved, and he towers over my five-two frame. I can tell he’s muscular from how his suit doesn’t quite fit him, even though he looks amazing. He’s taller and wider and probably stronger than you, but again, I know that if you were here you wouldn’t be threatened. Remember that pro football player we picked up, the one who not only bent me over and, with my head buried in the sheets, fucked me so well I squirted, but also fucked you? I think about that when I’m alone sometimes. It was one of the hottest things we’ve ever done. I wonder if Mr. Muscles would ever want to be with a man like you. Instantly, I blush; I can never hide that.

You’ve told me that’s one of the things you love about me—how easily I blush, how readily you can tell when I’m thinking something dirty. The muscle guy walks over. “Hi,” he says, his voice deep yet somehow boyish. “You busy?”

“Just waiting for my plane. Going on a business trip,” I say.

“Me too. Meetings, but not till three tomorrow.” Our flight’s at seven and is only an hour and a half, which means we both have a whole night free. “Look, I don’t want to bother you if you aren’t interested”—he nods at my wedding ring, which I only take off when I shower—“but I couldn’t help noticing you.”

“I’m interested,” I say quietly. I’ve had this conversation dozens of times, but it’s never easy to tell a stranger you’re in an open marriage, and it’s even more challenging without you by my side to help ease things along. “I’m…available. Tonight, anyway,” I say with a laugh.

“Tonight works for me,” he says. I motion to the seat next to me and we sit in companionable silence. I have an urge to lean my head on his shoulder, so I do. He strokes my hair, a seemingly gentle touch, but one that sends shivers running through my body. I picture you on my other side, and me snug between two men, one who sets me on edge and one who makes me feel safe—and sexy too. That’s what you do, if you didn’t know; I feel like I could take on the world in every way, knowing you’re there for me.

I don’t say any of this, though; it’s too intimate to share with a stranger. It’s just for you. I give the stranger a look after a few minutes, one of pure desire, conveyed through my lowered lashes. I don’t need to talk dirty just yet; in fact, the silence makes our gaze all the more powerful. He puts his hand on my cheek, cupping my face toward him, but instead of kissing me, he runs his thumb along my lower lip, folding it back against my chin before pinching it. Tears rush to my eyes and I’m utterly lost in his touch. I still feel your silent, unspoken presence near me, but it’s starting to recede just slightly—forgive me—as this man works his magic on me.

“I only need one night,” he says, then pinches my lip even harder before moving it aside, reaching into his bag and pulling out a notepad and pen. “Write down how you’re going to suck my cock,” he whispers, his voice as prim and proper as his words are not.

If his command is meant to shock me, it fails completely. Instead, it thrills me. I picture you watching me as I write, you who know so well exactly how I suck your cock—and how I love it. I write down what I think I will do, what makes me most excited about this most intimate act, but I also know that sex is the most unpredictable act ever invented. Just when you think you know what to expect, someone or something or some emotion comes along to make you feel as giddy as a virgin again. It’s like that with you, anyway, and I’ve given you at least a thousand blow jobs, by my estimate. My cheeks do grow hot, which means they burn red, as I write down my oral plans, passing the note to him and then looking away.

“Your husband is a lucky man,” the stranger whispers in my ear as we board the plane. My nipples get so hard it’s almost painful. As luck would have it, our seats are next to each other. Once we're seated, I look out the window—toward you, my version of you. I wish you were here, not because I need you to be, but because I want you to be. I want you to smile with pride when I take him in my mouth, to tell him naughty facts about me while I swallow him whole.

I manage to make it through landing, though my panties are drenched by the end. I don’t tell the man because he has to know by now. I’ve been tightening and releasing, taking deep breaths, alternating between thinking about him and you. “Ready?” he asks as the flight attendant tells us we are free to go.

Am I? Not exactly, but I’m ready as I’ll ever be. I touch my phone in my purse and think about texting you, giving you a heads-up, letting you follow my actions vicariously. But I don’t. I’m not sure why, except that maybe I’d rather tell you later and try to be in the moment. Instead, I nod and then impulsively take out the camera I’d so carefully loaded, and give it to my new lover. “Show him how lucky he is,” I say with a wink. My exaggerated flirting is silly, but he rolls with it.

We’re in the baggage claim area now, waiting for our luggage. I pose suggestively for the camera—for you, but also for this man, who, when the conveyer belt starts to rumble, pulls me close and gives me a deep, sensual kiss. I can feel other passengers’ eyes on me, but I don’t care. I like that they have no idea what we really are to each other, no idea that my lips are right here, my body now curving toward this man, but part of me is with you. We break apart and I am hot all over. Thankfully our bags arrive shortly. I was going to take the subway, but he pulls me toward the taxi stand.

He beckons me toward him in the backseat as we’re whisked toward Manhattan. He asks where I want to go and I say his hotel; my room is just for me—and you, of course. I unbutton my coat and toss my long red hair all around, grateful it’s still sleek and straight after the plane ride. He takes photo after photo, which makes me want to share more of myself. I flash him my breasts in their lacy, hot-pink bra, laughing as I throw my head back.

Soon we’ve arrived, and I people-watch while he checks in, smiling as I ogle a six-foot-tall woman I know you’d love to bend over for. She notices me watching her, and I smile. If you were here, maybe I’d do more than that. Instead, I follow the man upstairs, aware of how hard my nipples are. He slips the key card in the door and once it’s shut, says, “You’ve had my dick hard the whole flight. I almost jerked off in the bathroom, but I wanted to save it for you. Show me those gorgeous breasts again.” I drop my coat right on the carpet and unbutton my blouse until it hangs wide open. I peel down the cups of my bra and show him my breasts. This time, the camera stays in his bag while he moves toward me, hunger on his face.

He pulls me close and sucks my nipples one at a time, using not just teeth, tongue or lips, but a combination of all three. It goes on and on and on until I want to buckle under him. When I reach for his cock, he holds me back, though. “Call him,” he says, whipping out his phone. “I want him to hear you come.” I freeze. This might be too much for you; it borders on being more intimate than you’d like me to be without you. Yet am I really without you if you’re listening, maybe even touching yourself?

Hesitantly, I dial you. “Hey, baby,” you say as I adjust the setting to speakerphone. “What’s up? Where are you?”

“In a hotel room,” I say. I turn around for a modicum of privacy, but I can still hear him taking off his pants. “I’m with someone I met on the plane. A man.”

“Are you?” you say teasingly.

“Yes. He wanted me to call you.” I pause until the silence is more unbearable than my next words. “He wants you to hear me come.”

“Oh my goodness, Sunny,” he says. Now the man knows my name, but I don’t care because I can hear how aroused you are. “Let me talk to him.”

I hand him the phone, but he adjusts the settings so I can’t hear anything except “Got it,” and “Will do.” He puts the phone back down, and you say to me, “Be a good girl for him, baby. I’m listening.”

Instead of pressure, though, all I hear is permission—to be myself, my best self, with you by proxy. He picks me up and throws me onto the bed, and in a few quick moves has my clothes off and my wrists tied above my head with my bra. I squirm, turned on in the way only bondage can make me. He fishes out the camera and snaps a photo, then says, “Spread those pretty legs for me, Sunny.” I blush at his use of my name, and at exposing myself so blatantly, but I do it. “And open your eyes,” he adds.

I stare back at him until he finally gets his fix then kneels next to me to show me his cock. “Your husband wants me to fuck you nice and hard, said that’s what you like, so that’s what I’m going to do.” He gets a condom out of his bag and rolls it on while I wait for him. Normally I’d touch my clit before penetration, but I can’t at the moment. He rubs the head of his cock against my clit for me, then the wetness along my slit, but when I start to thrust and urge him inside, he pulls back. “I was warned that you can be greedy,” he says, pinching my clit instead. “Roll over. Now you have to wait for my cock.”

No sooner have I managed to roll over, arms still bound with my bra, than he lifts me up and positions me across his lap. He spanks me hard, way harder than would normally happen the first time I’m with a new partner. You must have said something about how much I can take. The smacks are sharp and perfectly placed, my bound wrists hanging in front of me. He gives me two fingers to suck, and I am grateful for the distraction as the whacks get even harder. I whimper against his fingers, but not in protest. After a round of blows so intense they make me wonder if I need to ask for a break, he finally touches me. I’m dripping wet, so the three fingers sink inside fast. “You were right. She responded very well to her spanking,” he says to you in a loud, exaggerated voice, making me even wetter.

Then he slides the bra off my wrists, settles me on my hands and knees, ass in the air, and enters me. With only a few thrusts, I’m coming, my moans filling the air. “I love hearing you like that,” you say, and I smile. Maybe this isn’t so different from you watching up close and personal. “I want him to come on your tits and send me a photo. You’ll do that for me, won’t you?”

“Of course,” I tell you. And of course, it’s not just for you; I am a glutton for a man showering me with come. Yours is my favorite, but after the way this man just fucked me, I am ready to feel him give it to me.

He turns me over, removes the condom, and stands over me, cock in hand. He’s going to make it rain down on me. “Do you want to taste it?” he asks.

“Yes,” I say, panting. He strokes himself, while I stare up at him in awe. I can hear you doing the same thing. When he sinks down onto the bed next to me, his hardness mere inches from my mouth, I know it’s time. I open wide, and soon he’s spraying my breasts and face with his hot cream, his shout echoing in the room. We hear your frantic breathing and then the long exhale of release. The man runs his fingers from my breast up my chest and neck, pushing some of his seed into my mouth as I greedily swallow it, a little bit of extended bliss.

“Get his card, baby. Maybe next time we can all get together,” you say before hanging up. Wouldn’t that be wonderful?

Once again, here's where to leave your review. Read more from the book via the excerpts posted at bweoftheyear.com. And here's my smile plus a little cleavage to let you know just how grateful I am:

Rachel BWE-3

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Sunday, April 17, 2016

BDSM oral history: find out what inspired 71-year-old erotica author Dorothy Freed's story "Two Doms for Dinner" in this podcast interview

I've written before about the power of bringing people together via erotica, which I believe can happen online and offline. In this case, it was a combination of the two: after our January San Francisco Best Women's Erotica of the Year, Volume 1 reading at Good Vibrations, two of the book's contributors, Rose Caraway and Dorothy Freed, met and connected.

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As Rose puts it:
Dorothy Freed stands at not-quite 5 feet tall and she is 71 years old. She’s tougher than nails and is as hospitable and classy as can be. She is a submissive who knows what she wants, and when it comes to her incredible writing, she pulls from actual events from her past. (In Best Women’s Erotica, her story; ‘Two Doms for Dinner’ is based on true events.) I asked Dorothy about herself and as she spoke, I knew that her voice, her words, her STORY had to be heard by more than just me.
This is an amazing, inspiring interview, which you can listen to by clicking below or going here (and I strongly encourage you to subscribe to Rose's Sexy Librarian podcast in iTunes to hear all her wonderful interviews with erotica authors) about a single mother who finds a new way of life via BDSM and sexual exploration, and goes on to write about it. On a personal level, it helped remind me that my work doesn't just exist in products to be sold and measured by such sales, but in bringing people together, in ways that can reverberate far and wide. It reminded me that words don't just exist on the page, but are part of our souls and our lifeblood. The words we pen are part of how we bond with others, how we make sense of the world around us and our place in it, and you can hear that as Rose and Dorothy talk.

Sexy Librarian's Header


I will give you a brief excerpt from what was a crowd favorite at our reading, Dorothy's story "Two Doms for Dinner," which is indeed about the one female narrator enjoying two men dominating her at once. I strongly encourage you to read (or listen to) the story in full!
From "Two Doms for Dinner" by Dorothy Freed

“Well isn’t this a sight to behold,” Sir says, reaching down to tease the crack of my ass. I arch my back slightly and sigh with pleasure. By now my legs begin trembling and I’m ordered to rise and present myself—legs apart, shoulders back, hands behind my head. I stand proud, smiling, knowing the pose makes my breasts stand out. Charles is eating me up with his eyes. Sir cuffs my wrists and attaches them to chains that hang from the ceiling.

“I’ve laid out some of my favorite toys,” he tells Charles, indicating the various implements of pleasure spread out on his desk. “I’m going to give D a warm-up with some of these toys and show you how she responds to them. Feel free to join in. The more the merrier.”

He begins with the small rubber whip, which is actually my favorite, dangling it over my breasts, whipping them lightly and making my nipples even harder than they already are. Behind me Charles’s big, warm hands slide down over my back and rear before delivering a series of smacks to my asscheeks.

The two Doms switch positions. Sir moves behind me, spanking me with the long-handled leather paddle, which makes a loud slapping sound as it strikes. Charles, facing my front, gazes into my eyes as he tweaks my nipples and then amuses himself by lightly slapping my breasts, making them swing back and forth. “Ohhh, Sirs,” I moan, as the sensations intensify.

“She responds well to nipple clamps. Try the small red ones,” Sir suggests.

“Excellent idea, don’t mind if I do.” With an evil grin Charles clips each of my nipples, teasing them with his fingers. My breasts begin to tingle; they feel lit up from the inside out.
Read the rest of "Two Doms for Dinner" in Best Women's Erotica of the Year, Volume 1, available from the following online retailers - if you liked the above interview, I highly recommend listening to Rose Caraway read all 22 sexy stories in the audiobook:

BWEOfThe Year_approved

Amazon (print)

Kindle

Barnes & Noble (print)

Nook

Powells

Books-a-Million

IndieBound (find your nearest local bookstore)

Cleis Press

Amazon UK (print)

Amazon UK Kindle

Amazon Canada (print)

Amazon Canada Kindle

Want to shop local and support independent bookstores and sex toy stores? Check out IndieBound linked above and you can click here for a full shopping list of stores I know have the book (those stores all have my endless gratitude and are ones I've shopped from and will shop from if I'm nearby and encourage you to shop from).

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Thursday, March 31, 2016

Tonight's our big Chicago erotica reading - please join us and help spread the word!

In just under six hours at 6 p.m. central time tonight, I'll be reading with contributors to Best Women's Erotica of the Year, Volume 1 and Come Again: Sex Toy Erotica: Tara Betts, Rose P. Lethe and Corrine A Silver in Chicago at The Pleasure Chest, 3436 N. Lincoln Avenue (Brown line to Paulina). If you can help spread the word, I'd greatly appreciate it as I dropped the ball a bit with promoting this one, which I was reminded of yesterday as I wandered Chicago and kept seeing kiosks with all the papers I didn't send my listing to (sorry, Chicago!!!). Here's the Facebook event page. I'm truly honored to have these women join me and look forward to hearing them read their sexy stories in their own words. Plus we'll be doing a Q&A afterward so you can ask us anything about the writing process (or me about editing the Best Women's Erotica of the Year series; the deadline to submit to Volume 2 is tomorrow).

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It's been a month, which I'll share more about soon, but to put it briefly, March has been a time of upheaval and change and decision making, and one of the conclusions I reached is that I won't be doing any more work travel this year save for Book Expo in May. Travel is both physically draining and expensive and takes time away from my relationship and my other income-generating work writing, teaching and consulting. I do love connecting with people live, but especially through teaching my LitReactor online writing classes, I've realized I can reach more people and take better care of myself when I work closer to home and that's what I'll be doing the rest of the year.

That being said, yesterday I got to see some lovely and unexpected art as I explored Chicago and took photos I've put up on my Instagram account and the Best Women's Erotica of the Year one (go awesome indie bookstores!), including this:

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Tuesday, March 22, 2016

Chicago Best Women's Erotica reading March 31, Erotica 101 and Sex Writing 101 workshops April 1

I'm gearing up to head to Chicago next week for what will probably be my last live events of 2016 as I wind up my work travel for the year. I hope you can make some of these and if you can't, I hope you'll let Chicago folks know! I highly recommend the conference CatalystCon if you're interested in sexuality and activism. I've loved every one I've attended and while this will be my last for a while as I focus closer to home, I encourage you to attend and also to pitch a panel or presentation for their Los Angeles conference in September. For a glimpse into how my in person erotica writing workshops operate, check out this writeup at Brightest Young Things about my workshop last year at Lotus Blooms in Washington, DC.

I wrote a piece for Lady Smut about why live readings are so important to me, and I'm dedicated to spreading the word about what I think is my best, sexiest, strongest, most diverse book, Best Women's Erotica of the Year, Volume 1 (so far, until Volume 2 comes out!) however I can. The truth is, traveling is expensive and beyond my capacity in time and funds these days, I'm doing it this time because I believe so strongly in this book and its stories and want to share them and give my amazing author a space to share their words in their own voices. I'm honored that The Pleasure Chest is hosting us and has the book in stock (yes, I list every indie store I know of that has my little book right here and would love to add more store names). I'll be documenting the reading on the book's Instagram account.

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March 31, 6-7:30 pm
Free Best Women's Erotica of the Year reading

Join Best Women's Erotica of the Year, Volume 1 editor Rachel Kramer Bussel along with contributors Tara Betts and Rose P. Lethe, plus Corrine A. Silver, author of Wrecked and contributor to Come Again: Sex Toy Erotica, for a fun, free erotica reading. Q&A and book signing to follow.
The Pleasure Chest, 3436 N. Lincoln Avenue, Chicago, 773-525-7151
http://thepleasurechest.com/workshops-ch-erotica-reading-march-31-19815-prd1.htm or Facebook listing

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April 1, 9:15 am-12:!5 pm
Erotica Writing 101 workshop
In this three hour workshop Rachel Kramer Bussel, professional erotica author and editor of over 50 erotica anthologies, such as The Big Book of Orgasms, Cheeky Spanking Stories and Serving Him: Sexy Stories of Submission, will take you through the ins and outs of modern erotic writing. Learn how to get started, find your voice, and write against type. You’ll discover how to incorporate everyday scenarios as well as outlandish fantasies into your writing, and make them fit for particular magazines and anthologies. The class will also cover branding yourself as a writer, using and selecting a good pseudonym, and using social media to promote your work and do outreach. She’ll also talk about submitting your work and keeping up with the thriving erotica market, including anthologies, ebooks, magazines and websites. Please bring paper and writing implements or a laptop to use for in class writing exercises. A bibliography with erotica resources will be provided. Organized by conference CatalystCon but open to all (you do not have to attend CatalystCon to attend). $45/person. Registration open through March 31 at (or $79 for both Erotica Writing 101 and Sex Writing 101).
Hyatt Regency O'Hare, 9300 Bryn Mawr Avenue, Rosemont, IL 60018

April 1, 1:30 pm-4:30 pm
Sex Writing 101 (Non-fiction)
In this three hour workshop, writer and editor Rachel Kramer Bussel will cover all you need to know about writing about sex, including blogging, first-person essays and journalism. You’ll learn how to ethically write about your love life, what editors are looking for, where to find experts on sexuality topics, and how to stay abreast of current sex news. Whether you’re looking to write a sex blog, column, articles or books, you’ll find out how to pitch, how much money you can expect to make, and how to maximize your editorial opportunities. The class will also cover branding yourself as a writer, using and selecting a good pseudonym, using social media to promote your work and do outreach, and how to pitch stories. Rachel is the author of Sex & Cupcakes: A Juicy Collection of Essays, a sex columnist for Philadelphia City Paper and DAME, and was a sex columnist for The Village Voice, Penthouse and The Frisky, and has written about sexuality for Cosmopolitan, The Daily Beast, Elle.com, Glamour, Inked, Marie Claire, O, The Oprah Magazine, Salon, Slate, Time.com, xoJane and many other publications. A resource list covering markets for sex-related pieces, including editors who are actively looking for pitches, will be provided. You do not have to attend CatalystCon to take the workshop. $45/person. Registration open through March 31 at (or $79 for both Erotica Writing 101 and Sex Writing 101).
Hyatt Regency O'Hare, 9300 Bryn Mawr Avenue, Rosemont, IL 60018

Saturday, April 2
I'm also speaking on two panels at CatalystCon! I'm moderating "Sharing Your Sex Life on the Page and the Stage" April 2 from 9:30 am-10:40 am and am part of "Partners in Pleasure: Building bridges between sex positive retailers and educators" that same day from 12:30 pm - 1:40 pm. See the full schedule here.

cconmidwest

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Friday, March 04, 2016

Why "A New Canvas" by Tara Betts opens Best Women's Erotica of the Year, Volume 1 plus free excerpt

I'm devoting this year to promoting the book I'm most proud of, Best Women's Erotica of the Year, Volume 1, and the next few weeks to getting as many women erotica writers from around the world to submit their stories to Volume 2 (the call for submissions is here; deadline is April 1). As part of that, and to give a sense of why I've chosen the stories I have for this first volume, I'm going to be blogging about each of them this month. I also want to give these authors the praise they deserve.

BWEOfThe Year_approved

I'm starting with the first story, "A New Canvas" by Tara Betts, and I want to encourage you to come hear her read from it live on March 31st at from 6 to 7:30 pm at The Pleasure Chest in Chicago. Can't make it? Please help spread the word! In my ideal world, one that would require being independently wealthy, I would travel all over and do readings with every author in the book. Since I live in the real world, I can only do a limited number of readings, so I want to make those as spectacular as I possibly can. So if you live in Chicago, will be there for CatalystCon, or know anyone there who'd appreciate a free, sexy erotica reading, please let them know.

There were a few things I liked about this story. One was that it was about friends forging forward with a sexual relationship they've danced around. That part felt very realistic to me; Angela and Troy aren't star-crossed lovers or over-the-top romantics, but friends who are attracted to each other. I also liked how art played a role in their seduction dance; it's both creative and intimate and gives the reader time to get drawn into what's happening. There's also an element of awe that this is actually happening which I appreciated, such as when Betts writes, "Angela's mouth fell open. She was still stunned that her tea kettle might not be the only vessel making a high-pitched sound."

One of the things I balance in my anthologies is who's telling the stories. This opening story is in the third person, and Betts does something that's not easy to do, which is seamlessly give us insight into two characters at once. While Troy is drawing on Angela, there's this sentence: "He loved how every word fell from her tongue, and he wondered what her babies might be like inside her." There is a tenderness and passion in this story that certainly goes beyond sex, which I especially appreciated because it closes on an open-ended note. Betts captures how powerful a sexual encounter can be even when two people are not in an official relationship, but are engaging in much more than a hookup.

I chose this story to open the book for two reasons: One was the title, "A New Canvas," which signified a beginning to me. This is the beginning of a new aspect of their relationship, although it's one that's been simmering. The other reason is that for those who either use the "look inside" feature on Amazon or otherwise read the first few pages or pick up the book in a bookstore and start reading, they will see from the very beginning that even though the cover model is white, this is not just a book of white women's erotica, nor will Volume 2 be.

I wanted readers who, whether they read the whole book or not, to pick it up and know that there are diverse characters and scenarios. And that those who found the book lacking in certain aspects of women's lives or sexualities will submit stories precisely about what they found missing in the first volume. I'm honored that I have the opportunity to edit another book in this series, and it's not something I take lightly. I received over 200 submissions to Volume 1, and I hope to receive as many, if not more, this time around, and will do my best to create a book that is a complement to this first volume, and one that will appeal to as wide a range of readers as I can manage in my limited word count.

Here's a short excerpt from "A New Canvas" by Tara Betts, which you can read in full in print, ebook and, very soon, listen to in audiobook form, in Best Women's Erotica of the Year, Volume 1 from Cleis Press.
Excerpt of "A New Canvas" by Tara Betts:

At first, the cool, firm tip of each pen chilled her skin. She felt the goosebumps rise as he wrote Uhuru, the Swahili word for freedom, on her left forearm. He colored in the purple letters with pink and blue chevron-like stripes. He moved on to the right forearm and wrote if, the Yoruba word for love, in black. He colored in that shorter word with red and green. On the left side, he started drawing a purple arrow along the length of her body toward the pubic bone. "Directions for later," Troy explained. When he was done drawing that arrow, he capped the pen and traced the tip around the lips of her opening, which had been wet when he began. He stroked her clitoris a few times with the pen and Angela shuddered. When he touched her with his fingers, he smiled, reached for the black pen and drew the second arrow between her breasts, right next to the purple one.

Just above the collarbone, he etched in a purple and navy skyline, but included an array of tiny gold stars across her hips. A few outlined the constellation Cassiopeia between her shoulder and breast. When he got to her thighs, he started to sketch out anatomical images of the brain and the heart on one side and the uterus and tongue not he other. He leaned over and kissed her, and told her that her eyes and lips always drew him in, but the brain and the heart made it better
Get Best Women's Erotica of the Year now in print or ebook at the following online stores, or click here to see a full list of independent bookstores and sex toy stores where you can buy it:

Amazon (print)

Kindle

Barnes & Noble (print)

Nook

Powells

Books-a-Million

IndieBound (find your nearest local bookstore)

Cleis Press

Amazon UK (print)

Amazon UK Kindle

Amazon Canada (print)

Amazon Canada Kindle

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Sunday, January 31, 2016

Want a free book from me? Just snap a photo of Best Women's Erotica of the Year, Volume 1 being sold by a bookstore!

Since I love books and bookstores, and just unpacked all my books and have a lot of extras (see the photo below), I'm offering you the chance to get a free book from me just for snapping a photo and letting me post it on my Best Women's Erotica of the Year Instagram account. Easy peasy, right? If you see my new book (and my favorite, because yes, I play favorites and am not ashamed to say I'm super proud of it and of my authors), Best Women's Erotica of the Year, Volume 1, at any bookstore anywhere in the world, just snap a photo (like I did at Good Vibrations), send it to me at bweoftheyear at gmail.com along with the bookstore name and city and your name and mailing address, and I'll send you a book I've edited. If you have your heart set on a particular title, let me know and I'll do my best to make sure you get it. That's it; everyone who sends me a photo by February 29th will get a free book and my thanks!

I wish I could personally visit every bookstore stocking the book, but I can't unless I win the next Powerball. I made a list of 10 independent bookstores thanks to some IndieBound sleuthing (that's where you can go to find out what independent bookstores are in your neighborhood) which currently have the book in stock, and I'm sure there are others I don't yet know about so I'm looking forward to find out who's selling it and giving them some social media love, because I want to support the bookstores taking a chance on my book in any way I can.

I still get a rush of excitement when I see "on our shelves now," because I picture someone pausing and pulling my book from the shelf. Maybe they've read Fifty Shades of Grey; maybe they've read Anaïs Nin, maybe they've never read erotica before. Maybe they're a woman; maybe they're not. Maybe they've been wanting to write erotica of their own and read all the bios at the back and think, I'm going to try my hand at writing a sexy story. Whoever they are, that these bookstores are putting my title, one of probably tens of thousands, they could choose from, on their shelves, means the world to me. Not just to my career, but to me as a book buyer and reader who often browses in the hopes of coming across a book I've never heard of before that sweeps me away. Whether or not people buy Best Women's Erotica of the Year, Volume 1, which I certainly hope they do, it's a huge symbol for it to be stocked at these wonderful stores, and I want to pay tribute to that in my own little way, and I greatly appreciate your help in doing so.

Thanks for your help and I hope to send out lots of free books! As I said, I'll be sending the book of my choice, but I do take requests, and these are most of the available books (there's an almost complete list on my website):

mybookshelf

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Thursday, January 28, 2016

The one thing I would have done differently for my standing room only Best Women's Erotica of the Year reading in San Francisco

For the most part, I've retired from organizing readings, because if you didn't already know, they are a lot of work and while there are rewards, they aren't usually in a direct financial form. Yet they are still an important part of what I see as my involvement in the erotica community and, I believe, a valuable way to connect with an audience live. For me it's a way to meet my authors in person, when I've only ever interacted with them via email. Yes, I may get to know them by doing interviews with them and following them on Twitter but that's not that same, and as much as I'm a loner, I'm also a very social creature.

So when I commit to it, which means taking time away from income-generating tasks like writing, I commit to it. I've been organizing readings since my first anthology publication in Best Lesbian Erotica 2001, when I was able to get readers from around the United States to come to Bluestockings in New York City for what was a wonderful evening.

I wanted to share a little of what I've learned from 15 years of organizing readings. Now, in some cases, your publisher may organize ever aspect of it for you, and this will be irrelevant. For me, I'm as hands-on and involved as possible because that way I know exactly what's happening and can ask whoever's booked the reading any questions I may have in advance. As you'll read below, I didn't ask a key question and that wound up costing me book sales. But aside from the rookie mistake made with last week's reading, it was still far more crowded than I was expecting, so much so that we were standing room only for the first book reading from Best Women's Erotica of the Year, Volume 1 at Good Vibrations. One of the first things I do is try to organize a reading as early as possible to give people time to mark their calendars and give myself time to promote it in local media and readers time to share the news with their networks.

Telling people about readings is a tricky endeavor; you want to tell them early enough that they can save the date, but don't want them to forget about it by the time the reading happens. You also have to stagger your media outreach so that the places that need the most advance notice get it, but the daily publications or blogs also get notified at the appropriate time. One thing I failed to do with this one, because I was packing to move and busy with other work, is have my publisher send a hard copy of the book along with the reading listings to local press. I had meant to send that list but got distracted, although I did submit the listing to several local newspapers and sites.

Other places I like to list events, if applicable: Galleycat on Facebook, She Writes, Poets & Writers, Eventful, Yelp (under the venue's page and then "events"), Craigslist (whatever the local site is for your event). Anywhere that hosts event listings that are relevant to your topic, go for it. You may not have time to list it everywhere, but if you have an assistant or someone who can help you, the more places you can list your event, the broader the audience you'll reach. You can also survey people at the event with a show of hands or just asking people about how they heard about it to get a sense of which places yield the best results, although I've found that varies with every event, which is why I try to list as widely as possible. When I do readings, there's always aspects that I don't get to, but I try to cover as much ground ahead of time as I can, including reaching out to local friends and asking readers to spread the word as far and wide as they can. You never know who will show up.

The things I did right, though? Getting the event posted on Facebook and Fetlife. I also actively used the Facebook listing to share links to the Q&As I did with the authors to generate ongoing interest and provide free samples of what they'd be reading so people could get excited ahead of time. Those also came with photos of the readers to make the connection more personal. Facebook turned out to be a major source of interaction about the reading, both before and after.

A little over a week before, I sent the listing to SFist, and they published it on a list of "12 Cool Things to Check Out This Week" and even gave it a little plug, so people who may have been hearing about the book for the first time, whether or not they could attend, might be inclined to further check it out. Here's what they said:
San Francisco is a literate town (think Litquake), and tonight's reading of Best Women's Erotica of the Year, Volume 1 puts a very SF twist on our love of all things literature. Featured readers include editor Rachel Kramer Bussel, and well as various contributors. Not for the heteronormative, the "hot, varied pansexual stories" should make for a fun evening.
I arrived in San Francisco that morning by what felt like the skin of my teeth; my Virgin America flight from Los Angeles kept getting delayed due to weather but finally made it. Then I had a rush assignment so I spent a few hours at the airport, then headed over to Good Vibrations, arriving around 5:15 for the 6:30 reading to check in. I asked to put out the postcards I'd brought and asked about copies of the book.

Here is where I'm majorly kicking myself, because as it turns out, the store didn't have that many copies of the book (I don't know exactly how many but they weren't prepared for the demand, which I take responsibility for since I booked the reading and didn't even ask about this beforehand). Later on, they sold out quickly and there weren't any more, which was a lost revenue opportunity for everyone: me, my publisher, and the store. Now, I probably don't need to tell you that every book sale counts, especially when you factor in the cost of my flight from Los Angeles to San Francisco and my time, but just in case, I will. I make about one dollar for every book purchased, so I knew going in I'd be losing money on this event. Still, those book sales are important, beyond the specific dollar amount, especially in the first few weeks a book is out. Early sales help set the stage for how a book will do going forward, and strong early sales can give stores a hint of whether they should stock more copies or wait and see if anyone will purchase it. That's why I pushed hard to have this reading held the same month as the book's release; the book is still new and there's excitement about it, but soon other new titles will be competing for readers' attention.

I'm not involved in the regular purchasing process, but I would imagine that if a book sells a lot during a reading that would prompt the store to order more because it's been proven that their customers want to buy it. Good Vibrations is an exception because they had a few copies on their shelves (see my Instagram snapshot below) and are officially carrying it, but most small independent bookstores that purchase my books take 1 or 2 copies of it, since shelf space is limited, so that means that buying a copy at one of those stores has a great impact, because it shows that there's an audience for the book. (Here's a sobering post about what we really mean when we talk about book sales for many independent authors.) So my goal for the reading wasn't to make back my costs, because I consider those business expenses and part of what I'm willing to invest of my own money to promote my book, but I want to use this mistake to make sure I don't do it again. While I can't control how many copies of a book a store takes, I can give them a heads up about how many people I expect to attend and purchase, and now I have this successful reading as an example to refer to (I am hoping to do a reading in the summer or fall at the Good Vibrations store in Brookline, Massachusetts).

If I knew I wouldn't make a profit, why did I decide to do this reading? There's several reasons, beyond my desire to leave my house and interact with live people rather than purely electronic communication. One is that I think there are few venues where you can hear erotica read out loud, and that means people will remember and appreciate those who can offer that. You can simply hear different aspects of a story when the author reads it, whether that's little asides or jokes or backstory or simply the inflection and emphasis they put on certain words. Secondly, my book just came out and it's my first time editing the Best Women's Erotica series, and I wanted to come out swinging. I wanted the book to be buzzed about, to have people remembering the stories vividly in a different way than they'd get just reading them off the page. I chose San Francisco because that's one of only a few cities where my far-flung authors, who are located in six countries, could attend. If I ever win the lottery, my dream would be to do a reading with all the authors in one of my anthologies who were interested, but until that day, I have to rely on local authors or those willing to generously donate their time to travel to readings.

bweoninstagram

I also wanted to have photos and video of readings to share on my social media channels. For this book, because I believe in its potential so strongly, I've branched out and tried something new: a dedicated Best Women's Erotica of the Year Instagram account, one I plan to use for Volume 2 and any others I edit in the series. I love that because it means that when I saw the book on the Good Vibrations shelves, I could tag them and have the focus be on my book. I will be doing that for any stores stocking Best Women's Erotica of the Year, so if you see it anywhere, pretty please snap a photo and send it to me at bweoftheyear at gmail.com and I'd be more than happy to credit you.

Posing for the cameras
We were awash in cameras wanting our attention! Back row: Amy Butcher and Rose Caraway. Front row: Jade A. Waters, Dorothy Freed, me

I don't have the resources to pull off a book trailer, but I did invest in hiring someone to record the readings so that those who couldn't attend could also hear the authors read (these will be up in about a month). To me, this is invaluable because as an editor, I can read the words on the page over and over and believe in their power, but hearing them read aloud, in every single case, put a new spin on them. I got to hear what the audience's reactions were to the funny and the sexy parts and everything in between. I got to find out what questions people had about the stories and my Volume 2 call for submissions during our Q&A. That is invaluable market research and that is another reason I wanted to do this reading; people may not know they have questions until they hear the work read aloud.

So the one thing I didn't do was make sure with my publisher that there would be a large supply of books at the store the night of the reading. I didn't even ask, because I was so focused on doing everything in my power to make sure there was an audience there to hear us. Clearly more could have sold, which made me feel heavily disappointed in myself for not taking book sales more seriously, because what better souvenir of a reading is there than an autographed copy? I know every time I move, I save my autographed books because they capture a specific moment in time that I want to treasure. Ultimately, I'm still thrilled with how the reading went. This was a best case scenario: a room full of people eager to meet the authors, get their books signed (someone who reads almost exclusively ebooks even bought a print copy so they could get it signed) and go home and read the stories they'd just heard snippets of. I'm hoping those who didn't pick up a copy that night either go back to Good Vibrations and buy one or purchase one elsewhere.

As it turned out, it was a perfect learning opportunity, because the next Best Women's Erotica of the Year, Volume 1 reading is coming up March 31st at The Pleasure Chest in Chicago, and you can be damn sure I am starting early on promoting it and spreading the word and will be actively engaged in finding out how many books the store has on hand. I booked the reading then because I will be in town for CatalystCon and can't wait to meet Tara Betts and Rose P. Lethe and read with them. Hope you can make it, and if you can spread the word about the Chicago reading to anyone who might be interested, I'd be very appreciative!

A final note: these are just my experiences with booking readings. Your mileage may vary, but I think for any genre, the wider a net you cast, the wider a potential audience you'll draw. You're still competing with weather, other events in your town, and the rest of people's lives. There will always be people who want to attend but can't, but that's a better scenario than someone who might have been interested but never even knew your reading was happening.

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