Email: rachelkramerbussel at gmail.com



 

Lusty Lady

BLOG OF RACHEL KRAMER BUSSEL
Watch my first and favorite book trailer for Spanked: Red-Cheeked Erotica. Get Spanked in print and ebook

Friday, September 13, 2019

My writing advice for getting your erotica published (plus 3 calls for submissions)

I'm very excited because I did some math and found out that I've published over 600 authors in my 60+ erotica anthologies over the 15 years. Seeing that number inspired me to hit my next goal of 1,000 authors! This means that I NEED NEW AUTHORS in my anthologies, so if you are interested in submitting your work or know someone who might be, now's the time. I'm editing 3 Cleis Press anthologies right now. Over at Frolic, I gave detailed writing tips on how to wow me as an editor (hint: send me a story unlike anything else in my inbox!). So please FILL UP MY INBOXES with your amazing, creative, no-one-can-tell-it-but-you stories! I'm excited about these books and look forward to making them super hot for you to read in 2020 and 2021.

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You can find the Best Women's Erotica of the Year, Volume 6 guidelines here (September 30 is the deadline!) and the Best Bondage Erotica of the Year, Volume 2 and women's orgasm erotica guidelines on my website.

All authors, including those I've published before, are welcome to submit where allowed (the Best Women's Erotica of the Year series doesn't repeat authors as part of my effort to include as wide a range of writers as I can), but my top priority is bringing the words of authors I've never worked with onto the page.

Have an erotica or nonfiction sex manuscript, novella, short story, or essay that needs help? I'm available for individual consulting!

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Friday, March 15, 2019

Erotica writing advice at Frolic

Over at Frolic, I gave erotica writing advice on how to find inspiration when penning smut. I included some examples from my writing everything from French fry erotica to public speaking erotica. Hope it's helpful!

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Thursday, January 07, 2016

On overcoming writer's block, one word at a time

True confession time: sometimes I get stuck with my writing. Most commonly, I get overwhelmed. I do not have a grand solution to writer's block; if I did, I would have posted on this blog every day this year, as I had intended to before January 1st, but clearly didn't happen. I did have two articles come out this week (although the first was finalized last week): one on dads and sex ed at Mic and one on new Kink.com model rules for The Daily Dot.

But the list of what else I wanted to write, meant to write, could have written, started to write, thought about writing, etc., is far longer. Now, I'm not saying everyone should write a certain amount per day or week; that's not how I measure my writing. But I would guess that I'm not the only one whose output falls short of my goals not because of emergencies or actually "not having time," but because of something psychological. This is in no way a new issue for me; writer's block and I go so far back it almost feels "wrong" when words are bouncing off my fingers, whipping through my mind whether I'm walking or watching TV or peeing.

For me, it's usually about one of two things (or both of them, cause I'm an overachiever like that): fear and getting ahead of myself. My fear runs deep. This week, I have a few emails I need to send for work; some are asking people to check out my new book, some are requesting interviews for upcoming articles, some are pitching new pieces. Almost all of them, even the easiest of the easy ones, the ones to people I know and like, the ones where there's little risk of a bad outcome, have made me paralyzed with inaction this week. I've drafted those emails several times; I've written them on to do lists that literally litter my desk, but only sent one or two of them.

I've faced a great amount of impostor syndrome and fear of being thought of as a fraud, because while I've faced this writer's block, I've also been promoting my next LitReactor writing class, which in itself took me a having a leap of faith that I could do it the first time. Those voices that tell me you can't are loud, sometimes so much so that I have trouble hearing anything else.

writingteets

As I'm writing this right now, Thursday morning at 8:34 a.m., what I can tell you is that there is a sense of calm running through my veins, an antidote to all the fear I've clung to this week, all the reasons why I needed to do any other thing than write the next essay/article/email/word. Clearly, the rush I'm getting from working out my thoughts by writing them down is like oxygen for me, the equivalent of a deep breath of fresh air after being cooped up in a stuffy, uncomfortable room. It feels like getting myself back.

There will always be other things to occupy my time than writing, but I don't think there will ever be anything else that feeds me in the way writing does, that soothes me, that, as maddening as the process may be, gives me the thrill that writing does. Yet it's more than a "thrill," it's not just a rush or a high; it's more fundamental. Writing is an extension of me, so when I don't do it, when I willfully ignore it, or let the fear win, I feel lesser. When I lie in bed at night, as I did last night, aimlessly reading part of an article, random social media, a few pages of a book I had pre-ordered and was very eager to read but at midnight couldn't concentrate on, I felt hollow, sad, frustrated with myself because I hadn't written what I wanted to. I hadn't even let myself try to write.

In other words, the honest truth is that the only way to get over writer's block of any kind is to write something. Literally, anything. One word, one sentence, one step in the right direction that will help you out of the quicksand of inertia. If even that one word feels impossible, you could start typing up a beloved passage or page from a book, which I've used to get my fingers moving in familiar rhythms, but what I would recommend instead is to type a single sentence or paragraph by someone else, then use that to riff off of. I'll even give you a prompt: the epigraph to one of my favorite novels, A Concise Chinese-English Dictionary for Lovers.

concise

Anything can be a prompt: a word, an image, a song, a quote, a show, a sport, an object, a person, anything, really. Even if it has nothing to do with the thing you "must" write today. What I've found with my work is that the more pressure I put on myself to write, the more deeply afraid I become. I sometimes have to completely let any expectations go and simply write, which, for a control freak, is not easy. I like to know in advance which word should go where, leading me from one to the next to The End, but that is just not always possible. Sometimes the big picture gets so big it obscures everything in its path. No matter how good of a writer I become, I will never be able to write five essays or ten emails or three articles at once. I will only ever be able to write one word at a time. When I try to do more than that by, say, writing one thing but having my mind leapfrogging ahead to the next thing (and usually, it's many next things), I always come up with something subpar.

Here's the thing: anything we want to say requires a little bit of narcissism, and by "narcissism," I mean a belief in the value of what you're saying. My fear ultimately boils down to the notion that someone will reject my words, whether by clicking away, unsubscribing, ignoring my email, writing hate mail, officially rejecting a pitch or simply writing me off in their mind. When I let that fear rule me, I can't get past it; it's too loud, too strong, too compelling. I have to fight it off with every fiber of my being.

When I told my boyfriend how stuck I've been this week, he gave me all kinds of accolades, citing my accomplishments and bylines. I heard him, but in a faraway part of my mind, like we were playing telephone rather than standing next to each other in our kitchen. The thing is, when I'm in the depths of my blocks, my fear, none of my other writing matters. It's almost as if it doesn't exist, or rather, it exists, but seems like a relic from past me. Present me? She convinces herself she has no idea what she's doing.

Speaking of narcissism (which I have to keep spell checking!), here's the kind of healthy narcissism I'm talking about, from an artist you may have heard of:

dali

That Dalí quote/image is from the book The Crossroads of Should and Must: Find and Follow Your Passion by Elle Luna (you can read the basics of her perspective at Medium but I also recommend the book). In it, she writes:
Must is not a faraway land that you hope to arrive at sometime in the future, it's not for tomorrow or another day. Must is for today, now. And as you take daily action, the cliff will cease to be a cliff. It will simply become an obvious next step along your path to Must.
Now, writing is not a "Must" for everyone, but for me, it certainly is. It's both what pays my bills and what feeds my soul. It's how I make sense of my life, and when I don't do it, when the ideas pile up but I watch them drift by over and over again, the fear not only wins, it snowballs. It becomes a self-fulfilling prophecy, because the fear has fuel. The fear can say: See? You should have written that essay and this email and you didn't, so don't even bother trying today/tomorrow/ever. It's too late. But it's never too late in the grand scheme of things. It may be too late in a specific case, but words are always valuable. They are always there for you. They are always accessible as long as you have a writing implement and a piece of paper.

As I'm typing this, I'm listening to the podcast Confessions of a Pink-Haired Marketer by Sonia Simone, and her guest, artist John T. Unger, just said, "Part of why I got into making art is that when I was less successful financially, I just loved art; I wanted to own art. I couldn't afford the kind of stuff I wanted, so I made my own versions of that. And the more that I made, the more it piled up and the more I got good at it...I was working in design until the big dot com crash, and at that point, I was like, you know, instead of learning to do something else sensible, I'm just going to do the art thing, because that's what I want to do, and I'll figure out a way to make it work." (FYI: transcribing people's thoughts on podcasts means you discover that seeing their words typed out is in no way equivalent to hearing them say it, so I recommend listening for the full impact.)

So no, I don't have a secret sauce for overcoming writer's block. I grapple with it far more than I would like. I wrote this for myself as much as anyone else. But I can tell you that especially when I've been stuck, when I haven't written and that inaction is weighing on me, it's downright euphoric when I do get the words out. Most of the time, they are not the words I would have expected to come out. They are not always ones that I'm madly in love with, but they are words, and they feel good, and they remind me that I am not the sum of my fears, but someone who has the willpower and strength and deep belief in my own worth to battle back against those fears.

Want weekly musings about writing? Sign up for my monthly newsletter and then drop me a line at rachelkb at gmail.com and put "Writing tips" in the subject line and I'll add you to my weekly writing newsletter, which is a subset of the main one. (Sorry that's so clunky; I will be streamlining the writing newsletter subscription process, but in the spirit of this post and the interest of not stalling any longer, which clearly I excel at, I wanted to share this now.) I'll be sharing weekly writing links, tips and musings, both about sex and erotica and broader topics related to various aspects of fiction and nonfiction.

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Friday, January 23, 2015

How to write a sex column

I'm gearing up to teach my nonfiction sex writing class (along with my erotica workshop) at CatalystCon March 27th in Arlington, Virginia, and also planning an online extended version of that class, along with writing sex columns for Philadelphia City Paper and DAME, so I've been thinking a lot about sex columns, sharing, getting personal and getting your words out there.

To date I've written sex columns for The Village Voice, Penthouse, The Frisky, and the current two, and I've found that having the ongoing platform of a column is very different from sporadic articles and essays. In those, I also apply these principles, but one of the main differences is, when I know I'm filing every week or every other week, I'm constantly paying attention to what's happening in the world of sex and looking for a way in to these topics, ideally a way that hasn't been done a million times already. I've been reading a lot of Penelope Trunk's blog, which I highly recommend, except for the fact that every time I visit I want to feast on so many of her career advice posts and the things she links to that a "short" visit to her site often leads to hours of reading. The way she styles her blog posts inspired me to write this one.

1. Write what you know

I agonized and procrastinated and almost scrapped this spanking column, because it felt self-indulgent. Yes, I love spanking, so what else is new? But funnily enough, even though it felt like that to me, this column has been one of the best performing ones at City Paper and even got reprinted in Metro. Why? My hunch is that because I wrote exactly what I thought. I wasn't trying to look at all sides of an issue because it's not really an "issue," but a practice or interest or kink or fetish. It's okay, desired even, to be personal, which is why the title is (emphasis added) "A good spanking really turns me on."

2. Write what you're curious about

This week I wrote about nipple play, which is something I enjoy both from a giving and receiving perspective, but wanted to go more in depth about. When I saw Jerome Stuart Nichols' post about it, I knew I'd found someone who could answer my questions. I did the same thing with my bisexuality column at DAME. Yes, I'm a bisexual woman, but I didn't think I'd offer much in this case with my experiences alone, so I sought out women with varying perspectives on their bisexuality/queerness.

3. Get political

I introduced myself to Philadelphia City Paper readers by asking "Are you a slut?" because I think slut shaming has become so rampant and insidious that stamping it out is at the root of true sexual freedom. By that I mean both the way we slut shame other people and the way, sometimes more subtly, we slut-shame ourselves, or allow slut shaming to run rampant. That's political and personal and something that applies to people of all genders and sexual orientations, albeit often in different ways.

4. Ask questions

I have way more questions than answers about sex and dating, and in this case, kept getting what I felt were mixed signals. Is it a date? Is it not a date? Where's the line between friends and something more? I think this goes along with curiosity. When you make your questions public, you admit you don't have all the answers, but you also invite people to help you with your conundrums and share their own questions or just commiserate. You make it a conversation, rather than a proclamation.

5. Respond to what others are saying about sex

FYI, I think if we'd called this column "I Want To Be Your Blowjob Queen" it would have done better. But anyway, when I see something I vehemently disagree with, I don't want to let it go, especially because with sex, so many of us approach the acts and topics without truly seeing our biases. Of course we don't get pleasure from using our mouths might seem obvious, until you start to unpack it.

6. Be timely

I wrote "Spanking Jessica Cutler" when her story was a hot topic. Same for "USC's Topless Professor". Strike while the news is hot, but add your own twist, either by doing original reporting or exploring a new angle.

7. Write about sex that surprises you

When I wrote about going on a date with Betty Dodson's boyfriend Eric and how pee factored into it, I got some shocked emails. I was shocked myself. To me one of the biggest things I've learned about sex from writing about it for so long is that I always have the capacity to surprise myself. Life does, sex does, and being open to those new frontiers and to my feelings about them is what makes personal writing, well, personal. It's not about shocking for the sake of shocking or chasing those surprises, but being open to them and recognizing them.

8. Get naked (literally) (topless photo warning NSFW)

In this case, I mean literally, but I think the more emotionally naked you can get in your writing, the deeper the ideas will penetrate, if you will. People respect bravery in writing (and other kinds of art), and can tell when you are giving something of yourself that's challenging. In August 2005, I wrote: "Putting the real me out there requires setting aside every body image woe and believing, wholeheartedly, that I'm worth photographing, worth having my curvy, imperfect, rounded body captured forever on film." That's still true, and something I've certainly been contemplating this week while on a beach wearing a bathing suit that fit me better 20 pounds ago.

9. Give sex advice

I am not a sexpert, and while there are some topics I do feel comfortable expounding upon in terms of advice giving, most I don't. But I do love picking people's brains about their expertise, and in that way I can offer tips on, in this case, talking dirty, while also sharing my own personal perspective.

10. Be of service to those in need

When I first read about Crista Anne's OrgasmQuest, I had an immediate feeling it was an important story. Why? Because while it's a very personal journey for her, depression and mental health issues as they interact with our sexuality is something extremely common, possibly universal. "Mental health" is something I think almost everyone has a story about, whether of their own or a family member, friend, loved one, etc. It's a perfect example of the personal being so bigger than just one person, which is I think why this story has gone viral and opened up so much discussion. I want to write more columns that explore how sex intersects with other parts of our lives and can be deeply transformative.

Bonus: embrace the word "fuck"

I don't know if you can get away with curses in mainstream print mags, but in alt weeklies and online you can, and when used judiciously and accurately, it can add a little fun to a title and topic.

Want more writing tips and to find out about my upcoming classes? Sign up for my monthly newsletter below or on my website! Want to read more of my nonfiction? Check out my ebook Sex & Cupcakes: A Juicy Collection of Essays.

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Friday, January 31, 2014

Phone consultations and private writing workshops now available

New services being launched today with early bird pricing for consulting...prices go up March 1st.

Consulting on erotic fiction and nonfiction sex writing

Early bird consulting prices through February 28; prices go up March 1.

Erotic fiction and nonfiction sex writing critique service

As an editor of over 50 anthologies, I have read thousands of erotica stories and can help you hone your story or sex scene into one that will dazzle on the page and impress editors. As a former sex columnist for The Frisky, Penthouse and The Village Voice as well as contributor about sexuality to publications such as Cosmopolitan, The Daily Beast, Glamour, Harper's BAZAAR, Salon and others, I can help shape your first-person sexuality essay or sex journalism and offer feedback to help expand your reach in the marketplace. For erotic fiction or nonfiction sex writing, you will provide a story, essay or article (or draft) for me to critique and offer feedback and discussion.

Written critique of up to 5,000 words plus 1 hour phone consultation : $60

Written critique of up to 7,5000 words plus 1 hour phone consultation: $80

Written critique of up to 10,000 words plus 1 hour phone consultation: $100

All payments should be made via Paypal to rkbenterprises2012@gmail.com

Once payment is received, I will contact you within 48 hours and have you submit your written work for critique and schedule the phone consultation ASAP.

Hourly pricing for longer projects available upon request.

Questions? Email rachelkramerbussel@gmail.com with "Consulting" in subject line.

Private erotic writing workshops available

2-hour daytime, evening and weekend private erotic writing workshop (up to 20 people): $500 plus travel expenses - please query rachelkramerbussel@gmail.com for rates for larger groups

Designed to provide newcomers to erotic writing as well as those with writing experience a welcoming space to unleash their ideas on paper. Workshop will provide numerous story prompts, information on how to craft compelling erotica, an overview of the market for erotic fiction, and the 411 on how to get your stories noticed by editors, from the editor of over 50 anthologies and prolific erotica writer of 14 years. Can be tailored for specific group interests/topics. A version of this workshop has been presented at Northwestern University, SUNY Purchase, The University of Pennsylvania, Babeland, Book Passage, BookWoman, CatalystCon, Nomia, Self Serve Toys, The Smitten Kitten, The Tool Shed, and numerous other venues. Email rachelkramerbussel@gmail.com with "Workshop" in subject line to query and include group name, location and desired date/time.

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Tuesday, September 17, 2013

10 things you'll learn in my erotic writing workshops in New York, Milwaukee and Albuquerque

I'm gearing up for 3 erotic writing workshops (hopefully others will be booked soon) and wanted to share some of the things you'll learn in my workshop (which will differ slightly in each city). Those upcoming events (sign up at the links below to secure a spot) are being held:

Friday, September 20, 7:30-8:45 pm, NYC, $25
New York Academy of Sex Education, 81 White Street, Tribeca
All ticket holders are automatically part of the night raffle which includes sex toys, lube and erotic books! Prizes compliments of… The Pleasure Chest, Tantus and Sliquid.

Friday, September 27, 8-9:30 pm, Milwaukee, $20
The Tool Shed, 2427 N. Murray Ave

Tuesday, November 12, Albuquerque, 7:30-9 p.m., $20/person; $35/pair
Self Serve Toys, 3904b Central Ave SE

1. What an erotic story is

2. How much sex you need in an erotic story

3. How much money you can make writing erotica

4. How to incorporate everyday objects into your erotica

5. How to turn your own sexual experiences into erotica

6. How to write about sexual activities you haven't done

7. How to write about characters who are different from you

8. How to incorporate pop culture into your erotica

9. How to extend the life of an erotica story into multiple stories

10. How to widen the number of writing markets where you can sell your work

Want to learn more about erotica writing right now? Read my "5 Ways to Use Technology To Write Erotica" at Medium.

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Using real life to inspire erotica stories

I recently wrote an erotica story that, if I'm lucky, will be published in an anthology next year (I'll keep you posted). I wrote it inspired by a flight I took from London to New York earlier this year. The best part is, I plan to use that flight as inspiration for another story. I don't want to spill all the details and give away the story, but I bet that in the course of every day, at least once, something happens, or you overhear or see something, that could inspire an erotica story. Want to hear more? Come to my class (and/or tell someone who want to write erotica or get their erotica published) that's happening this Friday night in Tribeca at the New York Academy of Sex Education (sign up at that link), 81 White Street, NYC. I wrote a guest post for them giving a little taste of what I teach in my classes (which also applies to my September 27th class at The Tool Shed in Milwaukee and my November 12th class at Self Serve Toys in Albuquerque).

For me, the moment when I convert the real-life event, sexual or otherwise, into a story idea, and then when I follow through and write the story, is my favorite part. It can involve taking the best or worst things that have happened to you and turning them into something that will entertain or inspire or resonate with readers. I've eroticized everything from dishwashing to bukkake to the most horrific play party experience I've ever had in my life (definitely wasn't consensual because I didn't know it was going to be happening!) into erotica stories, and so can you! Links to all my upcoming events on my calendar page, and if you're interested in booking me, email me at rachelkb at gmail.com with "Erotica workshop" in the subject line. I've taught my class at colleges (University of Pennsylvania, Northwestern University, SUNY Purchase), conferences and sex toy stores.

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Thursday, August 29, 2013

3 erotica events and my erotic writing tips

When I was in Vermont last weekend (more on that soon), I was perusing alt weekly Seven Days and found so many classes and events that would make great settings for erotica stories. There's more about using both technology (and much of it is applicable to whatever's around you, including event listings) to write erotica in "5 Ways to Use Technology to Write Erotica" (if you like my piece, please click "recommend" at the bottom).

I have 3 upcoming events in Manhattan, Milwaukee and Albuquerque -- and I'd love to visit your college or store or conference to give an erotic writing workshop! Email me at rachelkb at gmail.com with "Erotica 101" in the subject line for my rates.

September 25, 7-9 pm (free but you MUST RSVP to info at vicamillersalons.com)
Vica Miller Fall Erotica Salon
287 Spring Street, NYC
Featuring Liesl Schillinger, The Other Room author Kim Triedman, Fifty Shades of Dorian Gray author Nicole Audrey Spector and me, reading from my nudist hotel story "Marks" in Cheeky Spanking Stories
Full details here

vicamiller

September 27, 8-9:30 pm
Erotica 101 Writing Workshop, Milwaukee
Sign up at The Tool Shed
Professional erotica author and editor Rachel Kramer Bussel will take you through the ins and outs of modern erotic writing. Learn how to get started, find your voice, and write against type. You'll learn how to incorporate everyday scenarios as well as outlandish fantasies into your writing, and make them fit for particular magazines and anthologies. She'll also talk about submitting your work and keeping up with the thriving erotica market (including anthologies, ebooks, magazines and websites). Whether you're writing to that special someone, penning longtime fantasies, or want to earn cash for your dirty words, this workshop is for you. Paper and writing implements will be provided or you can use your own laptop. $20 per person

PLEASE NOTE: When you pay/register for a class online, your name will be added to the guest list for the event-- tickets will not be mailed. Please arrive a few minutes early to check in with the front desk.
2427 N. Murray Ave, Milwaukee, WI 53211, 414-906-5304

November 12, 7:30-9 pm
Erotica 101 Writing Workshop, Albuquerque

same description as above, $20/person; $35/pair, register online at above link to reserve your spot
3904B Central Ave SE, Albuquerque, NM 87108, 505-265-5815, info at selfservetoys.com

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Monday, April 30, 2012

My erotic writing tips from my ASJA panel

For what it's worth, my handout from the ASJA (American Society of Journalists and Authors) Conference on Saturday, for our sex writing panel. I was asked to talk about submitting and publishing erotica. If I have time soon I'd love to post about the stories that have stood out for me, but I'm wrapping up Best Bondage Erotica 2013 and Best Sex Writing 2013 this week (deadline is tomorrow!) and doing some writing of my own. Definitely, as per below, "Chemistry" by Velvet Moore from Orgasmic is one I talk about all the time, and "Runner's Calves" by Sommer Marsden in Curvy Girls was also a standout amidst a sea of submissions that took "curvy" to mean one thing and one thing only. Creativity is the thing I look for most especially with a themed anthology, and you'll get lots of examples in December when Best Bondage Erotica 2013 is out. And obviously take it all with a grain of salt; I'm just one person with one opinion, so what works with me might not work with other editors, though I think it's pretty sound advice.

Getting Your Erotic Stories Published

Tips from Rachel Kramer Bussel

1. Know your markets. There's erotic romance, BDSM erotica, paranormal erotica, GLBT erotica, longer stories (4,000+ words), shorter stories (1,200 words or less).

2. Follow the guidelines. My most important advice is to follow the guidelines exactly. If you have a question, ask before submitting. Don't assume an editor will make an exception for you. Every editor has different needs (snail mail vs. email, formatting, word count).

3. Use language you're comfortable with. Don't try to sound "porny" or like what you think erotica should sound like. Use the words for body parts and sex acts that sound natural to you, or that your characters would genuinely use.

4. Erotica needs a beginning, middle and end. An erotica story is first and foremost a story. It needs a beginning, middle and end, plus who, what, when, where and why, so your story isn’t simply "people having sex." Make the reader care about your characters from the first sentence.

5. Use your unique knowledge. Here I don't mean sexual experience, but knowledge of the world. Do you play golf, chess, knit, ski? Have you traveled the world? Do you know the ins and outs of a courtroom or a gym or a startup? Set stories in locations other authors probably won't. Try to eroticize a setting most people wouldn't normally think of as "sexy." (See "Chemistry" by Velvet Moore in Orgasmic).

6. Research. The Internet is your friend. Research everything from wardrobe to sex toys to places you've never been (I once incorporated fire eating into a story and I will never eat fire). Often simply browsing images online may spark ideas.

7. Think like an editor. Picture an editor receiving 100 stories on the same theme. What will make yours stand out? Maybe it's setting, location, type of character, POV, tense, prop, etc.

Resource: Erotic Writers & Readers Association, http://www.erotica-readers.com - lists numerous public calls for submissions, hosts mailing lists, offers galleries you can submit to

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Saturday, June 04, 2011

"Writer's porn"

I've ordered this book because I'm at this point with my YA novel where...well, frankly, I'm not actively writing it, but I'm ready to. I'm excited about the story and wishing i hadn't gone to California in January so I could take a week and go to some magical place and write. That I might do next year, but this year, I am stuck with the constraints of real life, which means fitting writing in to a full-time job, part-time blogging, freelancing, dating, family, social life, etc. Not easy when you're a natural procrastinator. But I could and do come up with zillions of excuses not to work and none of them are good ones. Ultimately, if you want to do something, you will do it. I know that very, very well.

I read novelist Justine Musk's blog Tribal Writer for inspiration to work, and she writes of Alan Watts' The 90-Day Novel:

I like to think of writing fiction as a difficult and intricate kind of magic.
Magic = skills + art.

You need to learn a rather stunning array of skills, whether it’s the rules of decent grammar or the principles of storytelling, and then you need to transform them into something your own. The dancer becomes the dance. You don’t see the plot points, you only experience story.

So I love to read books and articles about how to write fiction. I think of it as writer’s porn.


So I guess we'll see. My goal is to be done with my novel by Labor Day. I hope this book can guide me in the right direction of how to pull off these characters who are less than half my age and live in an age of technology I couldn't have imaged as a teenager, and barely can now (it's a contemporary, but technology plays a huge role).

You can also check out the90daynovel.com

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Sunday, February 06, 2011

Novels and short stories in mental health and running terms according to John McCaffrey

From Bang the Keys author Jill Dearman's interview with John McCaffrey at the Barnes & Noble site - found via Jill's site bangthekeys.com:

JD: How is writing a novel different from writing a short story?

JM:
I also work in the mental health field, and I often think that writing a novel is like being in long-term therapy, where you lay on the couch twice a week and sob about the time your mother made you wear a bib to school (not that that happened to me). Short story writing, on the other hand, is like being in crisis counseling – you just need a few sessions to get through a tough period. I’ll spin another analogy - I feel you must approach the writing of a novel with the determination of a marathon runner, prepare for it with diligence, and then once the gun sounds fight to the finish line. A short story is more a sprint, and a good sprinter runs on nerve just as much as legs. I also think that unlike a short story you can meander in a novel, take more sidetracks, since the reader has made a commitment to a longer work, and thus will conceivable go with you in your fictional travels – as long as you invite them nicely.

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Wednesday, August 25, 2010

How to get published in my erotica anthologies

Some erotica writing advice in my latest column - also, I think I forgot it in the latest round of writing guidelines, but DON'T send more than one version of the same story. Send your BEST work, not your worst or an unfinished draft (sounds obvious but happens all the time and people don't realize that I'm reading and making a draft of the manuscript as I go, so you waste my time, I don't appreciate it at all).

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