Email: rachelkramerbussel at


Lusty Lady

Watch my first and favorite book trailer for Spanked: Red-Cheeked Erotica. Get Spanked in print and ebook

Wednesday, March 14, 2018

March giveaway: Win a signed copy of Fast Girls: Erotica for Women

As part of my March 2018 newsletter, I'm giving away five signed copies of one of my favorite anthologies, Fast Girls: Erotica for Women (scroll to the end of the newsletter for the giveaway). Also make sure you mark my address as one you want in your inbox so the newsletter doesn't go to spam, because I do giveaways every month. The giveaway is open internationally; enter by March 22 and make sure you include the same email address you're subscribed with along with your complete mailing address. Many people enter with only something like "123 Main Street" and no town or zip code so I move on and pick another winner.

Here's a taste of the book from the bubble bath book trailer:

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Friday, March 09, 2018

BDSM erotica sale this week only: Yes, Sir is $1.99!

It's time for another cheap erotica sale from my publisher Cleis Press! This week only, my BDSM erotica anthology Yes, Sir: Erotic Stories of Female Submission is only $1.99 from U.S. ebook retailers.

Yes Sir Bookpromo

There are more sales coming this year, including one in April, on my anthologies and you can find out as soon as they happen by following me on BookBub. For now, don't miss Please, Sir, which is full of kinky, sexy stories and makes a perfect treat for yourself or a gift for someone else. Buy it for $1.99 through Sunday, March 11 for the following services:

Kindle U.S.


Google Play


Reading this after March 11, 2018 and missed out? You can check the links above as sometimes the sale prices get extended by a few days. Do make sure you're following me on BookBub so you never miss a sale. Subscribe to my monthly newsletter for book giveaways every month too!

Here's more about Yes, Sir: How bad do you want to be bound, gagged, spanked, or slapped? How bad do you want to pant, gasp, scream, and squirm? How bad do you want to turn over some part of yourself to a man just dying to strip you bare and take you somewhere you've never been? Here you'll find all sorts of women for whom their own personal "Sir"s (or Masters or Daddies) hold the reins to their erotic pleasure. For them, saying yes (or a bratty, defiant "no" for which they'll be duly punished) is as powerful as a good, hard smack on the bottom. Playing at "Sir," let's these players take their kinky to a whole new level.

Table of contents:
The Art of Darkness * Alison Tyler
Dear Professor Pervert * Donna George Storey
A Necessary Connection * Debra Hyde
The Editor * Amanda Earl
Ribbons * Kathryn O'Halloran
The Day I Came in Public * D. L. King
Lunch * Elizabeth Coldwell
When Penny Met Harry * Stan Kent
The Power of No * Teresa Noelle Roberts
In the Corner * Sommer Marsden
Stuck at Work and Late for a Date * Chelsea Summers
Running Wild * Shanna Germain
Pink Is the Enemy * Jocelyn Bringas
Sitting on Ice Cream * Lisette Ashton
Under His Hand, I Blossom * Nikki Magennis
Make Me * Rachel Kramer Bussel
Body Electric * Lisabet Sarai
Reclaiming the Sofa * Maddy Stuart
How Bad Do You Want It? * Gwen Masters

Introduction: Ready to Say Yes (Sir)

When I started working on Yes, Sir, I didn't expect the title phrase to be taken as a literal motto, but more as a call to arms (or rather, to surrender one's arms) for submissive women who seek out dominant men. I intended Yes, Sir and its companion volume Yes, Ma'am to be the bottoms' answers to my previous collections, He's on Top and She's on Top, to showcase our fantasies, desires, and deepest wishes. I wanted those of us who love to be tied up, spanked, blindfolded,bound, or "used" for another's pleasure, to tell it like it is, to explore why and how we get off in these ways, and the authors presented here gave me what I was looking for--and more.

Here you'll find all sorts of women for whom their personalSirs (or Masters or Daddies) hold the reins to their erotic pleasure. For them,saying yes (or a bratty, defiant no for which they'll be duly punished) is as powerful as a good, hard smack on the ass. They give up control in all kinds of ways, letting their doms decide who they'll fuck to when they'll come, to which color panties are acceptable--and which aren't. In one of these stories (you'll have to keep reading to figure out which one), playing at Sir, having your lover become the Sir of your dreams when real life may dictate otherwise, lets the two players take their kink to a whole new level.

Some are old pros at BDSM, and have had many masters, while for others, the language of domination and submission is a novelty. They may not know exactly why they thrill to being told what to do, but they now for sure that they like it, as in the case of the newbie in "Sitting on Ice Cream."D.L. King's Libby overcomes her natural shyness in "The Day I Ca me in Public,"proving that the very acts she first scoffs at are ones that give her no end of delight. It's almost as if the doms who enter their lives see the potential for submission in these women, and want to bring it forth for their own naughty motives, along with making the women come harder than they ever have before.

The inherent power dynamics of the classroom are brought to light in Donna George Storey's "Dear Professor Pervert," a story in which, once official class time ends, the real learning (about everything from masturbation to butt plugs) begins, as well as in Lisabet Sarai's "Body Electric," wherein a prominent professor shows a colleague his very intriguing "apparatus." In Sommer Marsden's "In the Corner," the man who first introduced Amelia to kink lures her away from her current "nice guy" date.

These women aren't pushovers by any means. They make rules and negotiate with their masters, though sometimes they also get off on being pushed just a little too far by men they know they can trust. In "The Art of Darkness," Alison Tyler writes, "Once Killian understood my fear, his mission became not to save me from my phobia, but to exploit it, every chance he could." She objects, but when she finally surrenders, she experiences a whole new world, where a blindfold is the path to ecstasy. And the woman who lets herman dictate her meals in Elizabeth Coldwell's delicious "Lunch"? Well, she knows exactly what she's doing. "I could go home and just tell Michael I'd done as he instructed. But he would know. He always knows when I try to disobey him,however careful or sneaky I try to be." In other words, she's not doing what he says simply because he says it, but because something inside her gets off on obeying. So too in Shanna Germain's story, the protagonist makes an active choice to go where her inner ache to submit compels her: "'Follow,' he said.Something in me resisted, but the power of his voice, the way he walked away from me as though he knew I would trail after him, made it so I couldn't say no." And the woman getting fucked on the sofa in Maddy Stuart's short, sexy tale flinches at the words slut and whore, even as her body responds to them. This duality, with the brain protesting but the blood rushing to the surface, is also part of the thrill of submission, especially for strong,powerful women.

These writers make clear just how much their characters get off when they say "Yes, Sir," whether literally or figuratively. Sure, they maybe doing their masters' bidding, but the masters are often doing the subs' bidding, in their own way, as well, making them ache, moan, quiver, and, yes,come. They know just how to draw out their subs' pleasure (and pain), how to make the most of a woman whether she's on her knees, or bent over, or at her computer waiting for the next command. They know that denial, temptation, and frustration can be the most arousing acts of all. They know that, as Teresa Noelle Roberts puts it, "The Power of No" can often be just as hot as the power of yes.

Gwen Masters asks in her title, "How Bad Do You Want It?" I turn that question over to you, dear reader. How bad do you want to be bound, gagged, spanked, or slapped? How bad do you want to have your hair pulled, your nipples clamped,your body strung up? How bad do you want to pant, gasp, scream, and squirm? How bad do you want to turn over some part of yourself to a man just dying to strip you bare and take you somewhere you've never been? I don't know about you, but I want all of those things, very much, and, I'm thankful to say, I (and you)have them all right here. Just turn the pages, and be prepared not to get up for a good long while.

Rachel Kramer Bussel
New York City

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Friday, February 23, 2018

2 free erotic audio stories for your listening pleasure

Happy Friday! Here's some fun news to lead you into the weekend are two free erotica stories, one I edited and one I wrote. Click on the images or story titles to listen.

The one I edited is oral sex and sex toys "Body Shots" by Thien-Kim Lam from Cleis Press anthology Best Women's Erotica of the Year, Volume 3. You can read my interview with her on the BWE of the Year blog.


Mine is bondage erotica story "The Weight" read by Rose Caraway on The Kiss Me Quick's Podcast. It's from her anthology The Sexy Librarian's Dirty Thirty, Volume 1. It's one of several stories I've written eroticizing fat or larger men (aka BHM, Big Handsome Men).


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Friday, February 16, 2018

New Cleis Press call for submission: Best Bondage Erotica of the Year, Volume 1

I'll recap our wonderful Washington, DC Best Women's Erotica of the Year reading this weekend, but first I wanted to give all you writers out there the longest amount of time possible to craft your hottest, kinkiest stories for my next Cleis Press anthology. The call and all details are below; any questions after reading it in full should be directed to the email address below. Please feel free to share this call wide and far. As you can see, I'm especially interested in working with new authors! Submissions that don't follow the guidelines will be rejected. No extensions will be granted, so plan accordingly. And of course the part I bolded is important, and also one that with every single call I post, multiple authors ignore. If you do, it's highly unlikely I will accept your work, so just know that going in. I try to be as clear and transparent as possible. My calls are long to save my time and your time. I promise.

Call for Submissions
Best Bondage Erotica of the Year, Volume 1
Edited by Rachel Kramer Bussel
To be published by Cleis Press in late 2019
Deadline: July 1, 2018

For Best Bondage Erotica of the Year, Volume 1, Rachel Kramer Bussel is looking for your hottest, most creative unpublished 2,000-4,000 word bondage erotica stories (no poetry). This anthology will include characters of different races, ages, backgrounds and bondage experience levels, plus a wide range of motivations, techniques, implements, and scenarios engaging in a bondage or restraint scenario at some point in the story. I want characters ranging from newbies to seasoned bondage players and everything in between. I want first person, second person and third person stories. I want bondage in bedrooms, at play parties, at offices, in public, in secret. Bondage should be a central focus of the erotic element of the story but the plot does not have to hinge on bondage. For an idea of the types of stories I prefer, see Best Bondage Erotica 2011, 2012, 2013, 2014 and 2015. While reading them is not required for submission to this anthology, I generally will not repeat highly specific bondage implements that appeared in any of those volumes. Stories that do not contain any form of bondage or restraint will not be considered.

The final book will include stories focused on both the physical and mental aspects of bondage. Bondage plus other elements of BDSM or sexual activity is welcome (spanking, tickling, exhibitionism, voyeurism, intercourse, oral sex, teasing, etc.). The more creative the bondage, the better, but any type of bondage will work as long as the story is arousing and draws me in from the first word and keeps me riveted. The main reason I reject stories for a themed anthology is that tales are too similar to each other, so avoid clichéd plotlines and dialogue. Authors I've never published before are especially encouraged to submit to this anthology. Characters of all genders/sexual orientations welcome. No poetry. All characters must be over 18 for the entirety of the story.

No incest or bestiality. Note that I won't be able to give final answers to submissions until August 1, 2019. If you need a response sooner, please do not submit to this anthology.
All stories should have a compelling beginning, middle and end. Make every word count and advance the story you want to tell. Consider each sentence and as: Does it serve a purpose? Is it advancing your story? If not, cut it. Make me care about your characters and get invested in their passions. Please see Best Bondage Erotica 2011-2015 for examples of the types of stories I've published.

Only unpublished stories will be accepted; this means no part of the story can have been published or posted previously anywhere, in print, online, on blogs, on bulletin boards or private groups, in newsletters, via email or anywhere else and cannot be published or posted in any form prior to the book's publication in late 2019.

Rights (see below): non-exclusive right to publish your story in this anthology in print, ebook, and audiobook form. Authors will retain copyright to their stories. See contract terms below. If you cannot agree to these contract terms, do not submit work to this anthology.

ONLY SUBMIT ONE FINAL, THOROUGHLY PROOFREAD, GRAMMATICALLY CORRECT VERSION OF EACH STORY. Since I will be reading and considering stories as they come in, only the initial story submission will be considered; subsequent versions of the same story will NOT be considered, so please keep this in mind and make sure the submission you send contains exactly the story title, author name and text you would like to see published in the book. If I am interested in a revised version of your story, I will contact you.

How to submit: I will consider a maximum of two stories per author. Submit each story as a separate attachment using an email address that you check regularly. Submit only 2,000-4,000 original, unpublished stories that are not being considered elsewhere. Stories under 2,000 words or over 4,000 words will be automatically rejected. I want only original work that has never been published in whole or in part in any format, including online and print. Must use U.S. grammar (double quotation marks around dialogue, etc.). Submit to by attaching a Word .doc or .docx file, double spaced, Times New Roman Black font and titled BBE1 LastName StoryTitle. At the top of the first page, include legal name, pseudonym (if applicable), mailing address, phone number (only to be used for urgent communication about your story) and 50 word-or-under third person professional biography either on the first page of your story. This should be the exact bio you'd want published in the book. URLs in bios should be listed in the first sentence in this format:

Rachel Kramer Bussel ( writes fiction and non-fiction.

All stories must have a title and author name included at the top of the first page with the submission (no untitled stories). Indent half an inch at the start of each paragraph. Use only double spacing for the entire file; do not add extra lines between paragraphs or use any other irregular spacing. If you cannot use Word, submit as both an RTF and include the full submission in the body of an email, including title, story text, bio, name and pseudonym (if applicable), mailing address and phone number. MAKE SURE TO THOROUGHLY PROOFREAD YOUR STORY BEFORE SUBMITTING IT. All stories that are between 2,000-4,000 words and submitted by July 1, 2018 will be considered.

I will confirm that I have received your submission within one week. I will respond to all submissions by August 1, 2019 at the latest. If you have not heard back from me by August 1, 2019 feel free to follow up at that time. Payment: $75 and 2 copies of the book on publication. Payment will be made only via Paypal (strongly preferred) or U.S check (only for U.S. addresses).

Questions: (make sure to read the guidelines in full before sending questions) These will be the non-negotiable contract terms. If you are unwilling to sign this contract, DO NOT submit to this anthology.

The parties agree as follows:


Author hereby grants Editor, during the first term of the United States copyright, and any renewals thereof, in the "Work":
a. The non-exclusive right to "publish" (i.e. print, publish, and sell) the Work as part of the Book in printed and digital form in English in the United States and its territories; and
b. The non-exclusive right to "publish" and license the Work as part of the Book in printed and digital form in English in other countries; and
c. The non-exclusive right to publish and license the Work as part of the Book in printed and digital form in English and the right to license, translate and publish the Work as part of the Book in printed and digital form in languages other than English in all countries; and
d. The following non-exclusive subsidiary rights to license and publish the Work as part of the Book in the United States and all foreign countries, to wit: anthologies, magazines, book club editions and reprints; Braille editions; audio, computer disk, all electronic/cyber rights, CD-ROM and microfiche editions; and television productions (including network TV, cable, and pay TV); and
e. The non-exclusive right to excerpt from the Work in non-book printed materials issued by the Publisher and/or its licensee for the sole purpose of promoting the Work, including, but not limited to, bookmarks, post cards, buttons, and t-shirts; and
f. The non-exclusive subsidiary right, for promotional purposes, to serialize the Work in periodicals, newspapers, and magazines.
a. Editorial revisions to the Work may be made at the suggestion of the Editor and/or Publisher. The title may be changed only by mutual consent of the Author, Editor and Publisher. Editor has final say on the substantive content of the Work.
b. The completed manuscript shall be deemed satisfactory in content to the Editor and Publisher unless within ninety (90) days of its receipt, Publisher or Editor gives Author written notice of the respects in which the manuscript is unsatisfactory. Author shall have thirty (30) days from receipt of that notice to make and submit such changes. c. Editor reserves the right to choose not to include the Work in the Book, if Publisher declines to accept it, or for any other justifiable reason. In such event, this Agreement is null and void; all rights revert to Author, and Editor does not owe Author payment.
a. Author represents and warrants that she now owns all rights granted hereunder, free of liens or encumbrances, and has full power and authority to execute this Agreement; and further warrants that the Work is original with her and not in the public domain. Author will give formal written notice of any previous publication of the Work upon presentation of the final manuscript, including editorial addresses of periodicals and/or publishers.
b. Author further represents and warrants that the Work does not infringe statutory copyrights or common law literary rights of others, and does not violate the rights of privacy of, or libel, other persons.
c. Author agrees to indemnify and hold harmless the Editor and the Publisher, and the publishing of any reprint or book club edition of the Work licensed by the Publisher, pursuant to the Agreement, against any final judgment for damages (after all appeals have been taken) against them in any action arising out of facts which constitute a breach of the foregoing warranties together with reasonable costs and attorney's fees incurred by them in defending such an action in which such judgment is recovered.
Author shall retain copyright of the Work.
VI. PAYMENT Author shall receive $75 to be paid by Editor via
Paypal or U.S. check within 90 days of publication of the Book.
Publisher will give to Author two (2) free copies of the Anthology.
This Agreement shall be binding on the parties and her respective heirs, administrators, successors and assigns.

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Monday, February 12, 2018

See you tomorrow February 13 at our Galentine's Day Washington, DC Best Women's Erotica reading

I've been remiss in posting here due to a rush of deadlines and getting ready for my Washington, DC reading. It's tomorrow night, Galentine's Day, Tuesday, February 13 at 7 pm at bookstore Politics and Prose at The Wharf. There's also a Mardi Gras parade at 6 at the Wharf you can check out beforehand. If you know anyone in DC, please please please let them know! Here's an easy to use Facebook event page where you can share the details.

Best Women's Erotica Washington DC reading

You may not be aware but readings take up a lot of time and energy and money (though thankfully in this case I had points for Amtrak and my hotel room). That's why as of now it's my only one for this book so I am hoping with every fiber of my being that we have a big turnout. That's also something I feel I owe my authors, several of whom are reading for the first time ever. Just typing that takes me back to my first reading way back in 2011!

I wish I were independently wealthy and could do readings everywhere in the world my authors are located. But in the real world, I do what I can, and doing at least one reading for each of these Best Women's Erotica books, aka, the highlight of my erotic editing career, is what I can offer. I truly believe that erotica isn't just meant to live on the page, but to be alive in the way it can only be by being heard out loud. So that's what we'll be doing tomorrow, along with dishing about writing and publishing. I'll even be sharing the theme for Volume 5, so if you attend you'll know it a few weeks in advance! See you soon! p.s. I no longer drink so will probably be a bundle of nerves, but I'll be wearing red to mask them (and because it's the night before Valentine's Day). If you can't make it, follow bestwomenseroticaofyearseries on Instagram for photos and stories throughout the day and evening (yes, I'm a superstar in choosing social media handles - NOT).

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Wednesday, January 31, 2018

See you February 13 in Washington, DC for my Best Women's Erotica reading!

I hope to see many of you at my February 13 reading in Washington, DC at Politics and Prose at The Wharf, 70 District Square SW. It's for the love of my literary life, the Best Women's Erotica of the Year series. I'll be reading with Volume 3 contributors Thien-Kim Lam, Sommer Marsden and Lynn Townsend. I've never met any of them in person and only heard Thien-Kim when we recorded a podcast together, so I'm especially excited. Plus I got to visit Politics and Prose in November and it was lovely and in a charming area (visit The Wharf's website to learn more).

Now for favor time: even if you're not in DC, could you let anyone you know in the area who'd like a sexy evening before Valentine's Day know? Here's a handy Facebook event page link. Even if you can't make it, please indicate you're interested on Facebook so more people see the listing.

Best Women's Erotica Washington DC reading

We'll be sharing story excerpts, writing inspiration and I'll be dishing tips on how to get published in the series and revealing the theme for Volume 5. I decided not to run myself ragged and do a book tour, which was too much for me last year and that showed in turnout. Especially since I now work part-time, I have to balance having a job with book promotion.

I also swore last year I wouldn't do events at this time of year because the cold often keeps people away but I couldn't resist the chance to do a Valentine's Day timed event. I truly appreciate any help you can give in spreading the word! I am excited for my book to be displayed front and center in the store in the time leading up to the reading and to hopefully entice those curious about the genre to try it. My other goal, though, is to get more bookstores to see that erotica isn't something people only read on their e-readers in private. That people want diverse, creative, hot and sexy stories and aren't ashamed of it. So getting a good turnout at this reading will show both this particular bookstore and others that the genre is thriving and should be far more visible than it usually is.

And I want to say thank you to everyone who's read or listened to any part of the series. I'm working on making it even bigger and better and drawing more readers so that down the road I can afford to do even more readings and giveaways and outreach and all of those things that take time and money. But for the next 13 days, I'm focused on making this reading as successful as I possibly can. I'll be posting photos and video on the Best Women's Erotica Instagram account if you can't make it.

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Erotica giveaway of Flying High: Sexy Stories from the Mile High Club for newsletter subscribers:

I finally sent out my January newsletter. At the bottom, there's a giveaway to win one of 10 signed copies of my anthology Flying High: Sexy Stories from the Mile High Club. Act fast because the giveaway, which is open internationally. ends on Sunday. You MUST be subscribed to the newsletter to be eligible, so if you're not, head over to and subscribe. I'll be sending the books in my pretty new logo mailers! And today, January 31, is the deadline for my U.S. only Goodreads giveaways of Best Women's Erotica of the Year, Volume 2 and On Fire: Erotic Romance Stories. Good luck!


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Saturday, January 27, 2018

Sexy weekend sale: On Fire: Erotic Romance Stories is $1.99

If you follow me on BookBub, you already know that my anthology On Fire: Erotic Romance Stories is only $1.99 this weekend! If you don't follow me and you like ebook sales, you should! Here's where to get it:




Google Play


RKB Book Promo On Fire

Here's what On Fire is about:
In On Fire, today's top erotic romance authors don't skimp on love or lust¾they are entwined in tales that will make pulses pound and hearts race. Bestselling editor Rachel Kramer Bussel takes us inside the passions of couples who go above and beyond in their pursuit of sexual and romantic satisfaction, exploring the racy to the outrageous during their many arousing adventures. You'll treasure the sex toy exploration in "Every Second of It," find paranormal pleasure in "Masquerade," and be transported to "A Place As Beautiful As This." You'll go "Beyond the Blindfold," find out what lurks in the "Art of Darkness," and delight in discovering "The Sweetest Thing." These steamy stories by Kristina Wright, Delilah Devlin, Giselle Renarde, Kay Jaybee, Victoria Blisse, Jade A. Waters and others are perfect intimate reads to enjoy with your lover or for your own pleasure.

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