Email: rachelkramerbussel at gmail.com



 

Lusty Lady

BLOG OF RACHEL KRAMER BUSSEL
Watch my first and favorite book trailer for Spanked: Red-Cheeked Erotica. Get Spanked in print and ebook

Wednesday, June 17, 2015

Why I picked it: "Jailbait Torch Song" by Valerie Alexander in Hungry for More

Welcome back to Why I Picked It Wednesday, a peek into my editorial decisions when selecting stories for my erotica anthologies, and a chance to highlight some favorites I've published over the years. Here I want to talk about "Jailbait Torch Song" by Valerie Alexander in Hungry for More: Romantic Fantasies for Women, whose title already pushes the envelope.

hungrycover

Jailbait. It's a taunting, teasing word. Are we supposed to be repulsed? Intrigued? Repulsed because we are intrigued? Yet it's the combination of the entire title that truly gives the story its meaning. As a reader, I often find it challenging to go toward the taboo, to not stop myself from enjoying it, to not think, In real life, would I be squicked or condemn these people? Powerful writing humanizes those society would deem sick or wrong, and in this case, even grapples with some of the ostracism the characters face for acting on their desires.

Dictionary.com defines torch song as "a popular song concerned with unhappiness or failure in love," with its origins coming from "the phrase to carry a torch for (someone)." That, far more than the taboo nature of a 29-year-old single mother having a torrid romance with an 18-year-old young man, is what this story is about, to my mind. Publishers Weekly called the story "unexpectedly poignant" and that captures part of what I loved about it, why I knew I wanted it in my book even though I also knew it would likely throw at least a few readers off with the way it employed its tenderness, its desire, its romance through an often socially unacceptable lens. What Alexander does is build both the tension and the taboo, weaving them, playing Tanner's teenage lust against Lyla's mix of propriety and hunger. The story starts off telling us exactly what she's strived to do for the last decade: "Lyla tried to be a good single mother." That principle guides her, yes, but she is also a woman, and has natural human desires, and the story forces the reader, and the characters, to question whether what we've been told about age differences is in fact correct. It doesn't give us an answer, but lets us decide, and pulls on our heartstrings in the process. Here's an excerpt of one of their earliest moments:
From "Jailbait Torch Song" by Valerie Alexander

He leaned into the car. “I just wanted to tell you that we have a home game tomorrow night. You should come.”

“Yeah, I can’t do that.”

“Why not?”

“Because I don’t have a reason to be there,” she said. “Because it would look weird.”

He walked away. Puzzled, she waited for him to return and say good-bye. Then the passenger door swung open and he climbed in the car.

Oh no. Quickly she elevated her window. “I have to pick up my son,” she said.

Then his hand was in her hair, hauling her across the seat and onto his long body as if she were weightless. He was shaking. His arms went around her, pulling her against his chest so hard she could feel his heart thumping. He kissed her with almost feverish desperation, his cold hands sliding up under her sweater and under her bra. “Don’t stop me,” he muttered into her mouth and then she was grinding all over the promise of his hard cock, humping him with abandon.
I don't want to give away the whole story, because it's a beautiful, tender, sexy, romantic one. It's one of the most memorable stories I've published, in my opinion, and one I could reread any time and find new nuances. I hope you'll check it out, and I hope I get to publish many more like this.

Buy Hungry for More from:

Amazon

Bn.com

Kindle ebook

Nook ebook 

Powells

Books-a-Million

iBooks

IndieBound (find your local independent bookstore)

Amazon UK

Amazon Canada

Amazon Germany

Cleis Press

Audible audiobook (click through to listen to a free sample)

Here's the other stories in the book:

Introduction: Getting Explicit

Submissive Jacqueline Applebee
Happy Endings Giselle Renarde
Craig’s List Greta Christina
Bringing the Heat Tiffany Reisz
Madam Secretary Jaye Markham
Kitchen Slut Olivia Archer
Just Once Jocelyn Dex
Boat Rocking D. L. King
The Sleeper’s Beauty Jade A. Waters
Upstairs at the Ava DelovelyOlive
Organically Grown Brandy Fox
The Room of Guarantees Jessica Lennox
Redrawing the Lines Bren Emile
Tickle Day Jeremy Edwards
Relief Katya Harris
Jailbait Torch Song Valerie Alexander
Red Lipstick Erzabet Bishop
Something Sleazy Elizabeth Coldwell
The Instructor Rose de Fer
My Pillar-Box Red Cock Tilly Hunter
A First Time for Everything Rachel Kramer Bussel

Labels: , , , , , , , , , , ,

Wednesday, June 10, 2015

Why I Picked It Wednesday: "Point and Click" by L.C. Spoering

I've decided to make my Why I Picked It series a weekly one to run on Wednesdays to highlight why I chose a particular erotica story for one of my anthologies. Today's it's "Point and Click" by L.C. Spoering in Best Bondage Erotica 2015.

BBE15cover

During the five years I edited the Best Bondage Erotica series (2011-2015), I did my best to always up the ante and include both common types of bondage and uncommon ones. I believe they work quite well alongside each other. So two of the main reasons I loved "Point and Click," aside from the way the story just pulled me in from the first sentence and didn't let go, are that the narrator is a sex worker and the bondage takes place while two women are in separate rooms, conversing over their computer screens. The interplay between them is fascinating and pushed me to think about what "bondage" truly means, and what can tie someone to someone else, the nature of eroticism and obedience, and how strong a connection people can have even when they are geographically separated.

You can read a little of how the scene starts at The Frisky Fairy, and below is an excerpt that shows how a very unique kind of bondage works in this story. There's voyeurism and exhibitionism here, of course, but I think it's the power play element that really does it for me; there's no real way to "make" the narrator obey her Mistress here, yet the Mistress is able to get her to stay in place all with the power of her words and actions thanks to technology. She knows what she can get her to do even if they've never played in person, and that tension, of being bound yet free, of not having a physical restraint like ropes or handcuffs to strain against or hold the narrator down, is expertly played up. I love erotica that surprises me, that puts a new twist on a topic I've read about countless times, and this story provides that and so much more.
From "Point and Click" by L.C. Spoering in Best Bondage Erotica 2015

“You keep your hands where they are. Like I’ve tied them down,” she says. I flex my fingers in place, imagine the ropes she might wind around my wrists, anchoring them to the desk, wrapped around the legs of the furniture, a knot where I can’t see it.

“You stay on your knees, kitten,” she goes on, and I’m suddenly aware of them, the bend of the joint and the way the bone presses into the carpet, carpet that seems so soft when padding barefoot across it, but is now much firmer, seemingly rocky under my weight.

“I want you to watch me.” Her legs are parted wide, but my eyes go to her face, half-shrouded in the darkness that has fallen over her room. It’s night where she is too, and the lamps are offset enough that only the barest pools of light lap at her toes and the tips of her hair.

“I want to watch you,” I say, and it’s like an admission, a confession, my hands pressed to the hard surface of my desk, my wrists burning with the imagined scrape of rope against tender skin.

“I know you do. You have for a long time, haven’t you?” The dildo is in her hand again, and she lets it rub along the length of her labia, the skin catching against the rubber and tugging along—her cunt moves like a mouth, like lips twitching into a smile just before they are kissed. My tongue feels like liquid against my teeth.

We’ve gotten off together before; I know her face when she comes. But this is different, and I find myself searching her expression for each twitch of muscle and brush of her hair over her forehead. Her fingers are long and graceful; they guide the rubber cock to her slit, pushing just enough that the labia parts and the head inches inside.

“I’ve wanted you to watch me,” she says, as though the thread of conversation is still strung between us, thin and wavering like it’s running full with electricity. She lets out a small moan as the dildo moves farther inside her, and I squirm again, finding my cunt against my calf and pressing down to chase some form of release.

“Keep your hands there, kitten,” she says, arching an eyebrow though her mouth is slightly agape and she is panting just a little.

“Y-yes,” I agree, nodding again, my pinky cramping all of a sudden, as though it knows it’s not supposed to move yet needing that movement for no reason at all but to distract me.

“Yes what?” she presses, and I swallow, almost gulp, my heart ringing in my ears once more.
Read the whole story in Best Bondage Erotica 2015, for sale at:

Amazon

Kindle ebook

Amazon UK

Kindle UK

Bn.com

Nook ebook

Kobo

Books-a-Million

Powell’s

IndieBound (find your local independent bookstore)

iTunes

Cleis Press

Labels: , , , , , , , , , , ,

Friday, May 29, 2015

Why I picked it: "Chemistry" by Velvet Moore in Orgasmic

If you've ever taken an erotica writing class with me, you've likely heard me quote from one of my favorite stories of the many hundreds I've published: "Chemistry" by Velvet Moore. It's about, yes, chemistry, as in labs and scientists, and it's in Orgasmic: Erotica for Women, which, even though it's about 25 women and their 25 different orgasms, is really "for everyone." It's also currently on sale for 99 cents on Kindle, to end any moment (it was supposed to end yesterday). It's also 99 cents on Google Play.

orgasmiccover

What I love so much about it is that it taps into an unusual fetish, portrays a woman of science who's hot for scientists, uses the senses, especially the sense of smell, and brilliantly takes us inside the mind of the narrator and her fetish. It jumps right into what she's all about and doesn't let up. Part of why Orgasmic is the model I use when editing anthologies, such as Best Women's Erotica 2016, which I'll be reading all the submissions for next week (deadline is June 1, writers!), is that it is so wonderfully varied. No, it doesn't have every possible way a woman could come; I don't have the space for that. But it looks at single women, coupled women, kinky women, queer women, and so many more. Just as the book as a whole is a model for me for what I aim to achieve as an editor, this story is a model I offer as one example of an exquisite erotic story.

Here's a snippet, and I hope you'll like it enough to check out the book. As I said, the 99 cent sale is probably ending very soon. You can also get it in paperback and audiobook narrated by Lucy malone. Here's a little snippet of what I love about the story. I hope you like it too:
From "Chemistry" by Velvet Moore:

The smell of science makes me horny.

I narrowly resisted shoving my hands down my pants and rubbing myself to oblivion during my niece’s science fair. My stomach dips with pleasure every time someone lights a match. Each July I’m aroused by the vapors of the noise-making novelty fireworks called “snappers.” Little do tricksters know that when they crack one on the pavement at my feet, I shiver out of excitement, not fear.

Smell is the sense tied most closely to human memory. So when I sense any use of potassium chlorate; a white, crystalline compound well stocked in science laboratories and often used for combustion; I remember how it feels to have the fire of orgasm sizzle its way through my body and melt a liquid path down my legs. The chemical’s odor singes my nostrils and flashes me back to the sensation of a chilly, marble countertop pressed against my back, to the press of fingers digging into my supple thighs, to the slick pressure of rounded glass slipping in and out.

And it’s what I remember most about him.

Most scientists that I’ve met fit the typical stereotypes. Most would rather analyze your genes than pry off your jeans. Yet I suspected that Michael Harrison was capable of much more than stripping me of my pants. With his wavy black hair, broad shoulders and Clark Kent glasses, I believed that stripped of his unassuming attire, he would have something surprising and heroically powerful bulging underneath.

I understood this the first time I shook his hand and caught the scent of chemicals trapped in his clothes and seared into his skin, a smell faint and tangy and far too interesting to be cologne, like the smell of your body after a lengthy swim in a freshly chlorinated pool. I imagined that if I should run my tongue along his perky nipples, my tongue would sizzle as though touched to the tip of a battery.

We needed a scientist to impress the hospital donors with a tour of the lab. I planned to find an excuse to use him.

Labels: , , , , , , , , , , ,

Thursday, April 16, 2015

Why I picked it: "My Life as a Vibrator" by Livia Ellis in Come Again: Sex Toy Erotica

This is the first in an occasional new blog post series called Why I Picked It, where I'll share why I picked a particular story for one of my 50+ anthologies (yes, my site's books page needs updating - I'm on it!). I'm starting with "My Life as a Vibrator" by Livia Ellis, the closing story in my new anthology Come Again: Sex Toy Erotica, out now in print and ebook.

comeagaincover
Come Again: Sex Toy Erotica


pinkvibrator

This was the closest approximation I could find online to the pink vibrator telling the story, though I imagine the narrator vibe is a bit of a lighter shade of pink

Ellis was a new (to me) author, and this story, out of the many submissions I received, stood out because, well, it was from the point of view of a vibrator! How could I not be intrigued? Here's the opening paragraphs:
From "My Life as a Vibrator" by Livia Ellis

I come into existence on a Thursday in a factory in the Guangdong province. My first sensation is of touch. The firm yet well-seasoned hands of my maker, Hui Zhong, have smoothed and stroked my pearlescent pink silicone shell. Although I will never know, I can guess from the brief time we spend together that she is a woman who takes immense care with everything she turns her attention to. I particularly like the brilliant red of the scarf that covers her steel-wool hair. The intense scrutiny of her glaucoma-wrecked eyes misses nothing. I know truly for the first time what it is to live when she slips the pair of C batteries into my innards and gives my bottom a trial.

I whirl, I jiggle, I shimmy, I shake. I do what Hui Zhong built me to do—I vibrate. For the first time, by doing what I was built to do, I make someone smile. I please her and I please her well.
I loved how this unique viewpoint added such a humorous and interesting voice to the story and the book as a whole. It made me think about sex toys in a new way and allowed the author to approach telling her story from a different angle than you'd get it if was told by any of the human characters, who wouldn't be present for the toy's entire journey.

Plus it featured two women having sex with each other, which I wanted more of in the book (there are many heterosexual stories, as well as a few bisexual ones, one transgender man and one gay male erotica story, if I recall correctly).

It also is in first person present tense, which most of the stories in Come Again are not, though "Vegetable Love" by Susan St. Aubin, "Prickles" by Elizabeth Coldwell and "Gift" by Dena Hankins are. Here, I think it works so perfectly, because we get to follow the vibrator from China to the toy's eventual home (I almost wrote "her eventual home," which shows how closely an object as narrator can affect a reader).

You can read all of "My Life as a Vibrator" and the 23 other stories in Come Again: Sex Toy Erotica, available from:

Amazon

Kindle ebook

Amazon UK

Kindle UK

Barnes & Noble (Bn.com)

Nook ebook

iBooks

Kobo

Books-a-Million

IndieBound (find it at your local independent bookstore)

Cleis Press

The only brick and mortar store I know currently has it in stock, and signed copies at that, is Red Emma's in Baltimore. It's on its way to Charis Circle in Atlanta and Early to Bed in Chicago. Want to see it on your local bookstore and/or sex toy store's shelves? Ask for it! I will blog, Tweet, Tumble, Facebook and generally promote any store carrying the book that I know about. If you see the book at a local store or I missed any places you can buy it, email me at rachel at comeagainbook.com and I will update this post and the book's website!

Labels: , , , , , , , , , , , ,