Email: rachelkramerbussel at gmail.com



 

Lusty Lady

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Monday, August 08, 2011

Chess erotica/Naked Reader Book Club discusses G Is for Games

Tuesday night, August 9th, from 8 to 10 pm EST, the Naked Reader Book Club will discuss the Alison Tyler anthology G Is for Games, which includes my chess erotica story "Check, Mate." This URL is where the chat will actually take place.

Here's a snippet from my story "Check, Mate:"

Thinking about fucking him not only helps pump me up to win the game, it allows me to mask my true thoughts; I've never had much of a poker face, and have blown games when bursts of utter glee raced across my face, causing my opponent to revise their hastily drawn plans. The more he makes me wait, the more tempted I am to blow the game, fold my king in humiliation, sweep the pieces to the floor, and slam him against the wall. His slow manner seems to mock me, as if he feels none of the same urgency. In my befuddled state I drop my pen on the ground and when I bend down to pick it up, I really can’t help but look up at his erection. Oh, it’s there all right, silently straining against his jeans, thick and solid and all mine. At least, it will be once we get this damn game over with. I sit back up but still feel antsy, twiddling with the pen in my lap. His eyebrows twitch and he bites his lip as his eyes careen around from one side of the board to the next. Eventually I stand and stroll behind him, try to literally look at the board from his angle, from his side, but even so, I miss what he’s been plotting all along. It seems so obvious once I fall into his trap, but until then, I’m utterly confident in my moves.

I have no time to be shocked or fight back; his pieces have already entered my lair. I’m exposed just as surely as if I were strung up spread-eagled, my pussy open and vulnerable. That’s what I think about as I tremblingly move my king one short step away from doom. But he comes at me again, this time moving faster, pouncing. A quick glance at his face finds it smooth, unmarked by wrinkles as my heart pounds at this new development. The onlookers fade from my peripheral vision as we duke it out on the board. A glimmer of an exit path beams at me, but he squelches it in moments until my king stands naked, quivering, before I’m forced to surrender him to the obvious conclusion. Yet I don’t feel like I’ve lost; my brain is on fire, not to mention my pussy.

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Wednesday, April 07, 2010

Late for umpteen important dates

I have so many long-overdue posts and links I want to share but...alas, no time. I'm perhaps more slammed then I've ever been and am barely keeping up. I leave for Denver Thursday night and in the meantime have umpteen deadlines. I'll bet there until Sunday midnight, then flying home for a crazy week which includes a photo shoot and In The Flesh.

So, yeah, I try...I tweet links and little things if you want to follow me there and I Flickr (yes, I'm making it a verb) and maybe on the plane/this weekend I will be able to properly share everything.

One cool thing: my books are part of the Naked Reader Book Club over at Sexis Magazine, and they are doing some amazing content to go with it. Also, there will be 100 free copies of Sexis at Thursday's In The Flesh (Nerd Sex Night!).

Do make sure to read this interview with Cleis Press co-founder Felice Newman. I'm continually inspired by Cleis' and Felice's example. From the article:

It was a slow start—maybe two books a year—but in the ’90s, things began to accelerate with the publication of Susie Brights’ Susie Sexpert’s Lesbian Sex World, a collection of essays the funny, intelligent and beloved Bright had written as the editor of On Our Backs magazine.

“That was where we crossed the line,” Newman says. “We say we got kicked out of the sisterhood. We got kicked out of the sisterhood again and again.”

Now that our culture embraces porn stars as celebrities and has celebrities that want to be porn stars, it’s easy to forget why the term “sex-positive” came into parlance.

This was the time of the sex wars,” Newman explains. “Sex-positive feminists against the rigidly conservative feminists, who basically saw pornography as a tool of the patriarchy so if someone published pornography they were just imitating the patriarchy. [Two influential figures], Andrea Dworkin and Catharine MacKinnon were huge voices in feminism, and it was about anti-pornography. So, certainly, what we were doing was crossing the line because we were publishing pornography in their eyes.”


I'm quoted in Liz Langley's Ars Erotica Part 1 and Part 2. You can follow them on Twitter too.

I did eat this from the banh mi truck downtown (delicious, for me and the six-month-old I shared it with):



And I got my nails done, cause I couldn't abide the peeling blue polish:

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